Kenneth Anger on DVD…finally

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Finally…well, we’ll see. Forgive my sceptical tone, these announcements have been cropping up for years although this one seems genuine, with an Amazon page and everything. Good to know that it’s a Fantoma production since they did a great job with Jodorowsky’s Fando y Lis.

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The enigmatic Marjorie Cameron portrays the
Scarlet Woman for Inauguration of the Pleasure Dome.

The word “classic” is often used too easily but these films are classics by any standard, masterworks of underground filmmaking, pioneering in their gay content (Fireworks [1947] is like Genet directed by Jean Cocteau and all the more remarkable since Anger was still a teenager when he made it), camp and occult in equal measure, and Inauguration of the Pleasure Dome, made in 1954, can claim to be one of the first examples of truly psychedelic cinema. DVD would be the perfect medium to present Inauguration with multiple soundtracks (it’s had at least two over the years) although I suspect we’ll only get the Janacek score and not the bizarre Electric Light Orchestra version I saw once at a cinema screening.

At long last, THE FILMS OF KENNETH ANGER VOLUME 1 is finally available on DVD this January.

Fantoma Films’ special edition DVD hits stores on January 23, 2007.

“It’s time that Kenneth Anger’s work became more available, because he is, without a doubt, one of our greatest artists.” Martin Scorsese

Cinematic magician, legendary provocateur, author of the infamous HOLLYWOOD BABYLON books and creator of some of the most striking and beautiful works in the history of film, Kenneth Anger is a singular figure in post-war American culture.

A major influence on everything from the films of Martin Scorsese, Rainer Werner Fassbinder and David Lynch to the pop art of Andy Warhol to MTV, Anger’s work serves as a talisman of universal symbols and personal obsessions, combining myth, artifice and ritual to render cinema with the power of a spell or incantation.

Covering the first half of Anger’s career, from his landmark debut FIREWORKS in 1947 to his epic bacchanalia INAUGURATION OF THE PLEASURE DOME, Fantoma is very proud to present the long-awaited first volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world.

In production for over 5 years, THE FILMS OF KENNETH ANGER VOLUME 1 is easily the most requested title in Fantoma Films’ history. Painstakingly restored by Fantoma, these shorts represent the beginning of the independent film movement as we know it today and Anger’s revolutionary use of blending film to music has often been credited as giving birth to the music video. The films contained in this set include: FIREWORKS (1947), PUCE MOMENT (1949), RABBIT’S MOON (1950, shown here in the rarely seen 16 minute version), EAUX D’ARTIFICE (1953), and INAUGURATION OF THE PLEASURE DOME (1954).

THE FILMS OF KENNETH ANGER VOLUME 1 contains the following special features:

-High Definition transfers from newly restored elements.
-Screen specific audio commentary for all films from Kenneth Anger.
-Rare outtakes and behind-the-scenes images.
-Restoration Demonstrations.
-A 48 page book with a written appreciation of Kenneth Anger by legendary
filmmaker Martin Scorsese, exclusive to this release, extensive notes for
each film, rare photos, never before seen sketches for Anger’s unproduced
film PUCE WOMEN, and more.

Fantoma Films’ DVD of THE FILMS OF KENNETH ANGER VOLUME 1 will be available in stores on January 23, 2007 for a retail price of $24.98.
Fantoma Films: www.fantoma.com
MySpace page: www.myspace.com/fantomafilms.

(Thanks to Jay!)

Previously on { feuilleton }
Ten films by Oskar Fischinger
Lapis by James Whitney
La Villa Santo Sospir by Jean Cocteau
Un Chant d’Amour by Jean Genet

Angels 6: Paradise stands in the shadow of swords

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The Guardian of Paradise by Franz Stuck (1889).

We’ll let Coil have the final word on the angel theme, the post title being taken from their Cathedral In Flames. Those words recognise—as does the painting above—that the Christian concept of Heaven is of a gated community guarded by warriors to keep the undesirable at bay.

Symbolist painter Franz Stuck was (as far as we know) robustly heterosexual but his angel isn’t far removed from the work of contemporary photographers like Anthony Gayton who specialise in teasing out the erotic undercurrents in this kind of imagery. Which brings us full circle, seeing as we started with Caravaggio and his distinct brand of religious subversion. The irony is that some of the more vocal elements of Christianity can’t help subverting themselves or their own messages, as John Patterson notes in his Guardian piece today, alluding not only to the Ted Haggard debacle but also to Haggard’s favourite artist, Thomas Blackshear, both of whom were discussed here in November. Patterson writes that the recent brand of bigoted fervour that’s swept America seems to have abated, or at least retreated, after threatening to become a mainstream force. Europe often seems a haven of healthy heathen sanity by comparison, a part of the undesirable world being kept outside the American Paradise. St. Peter now demands retinal scans, fingerprints and a biometric passport. Continual rumbles from Pope Maledict and his closeted cardinals are an increasing irrelevance, the background static of a dying regime. Paradise may be guarded by attractive angels but we can only look and never touch. As Patterson says, the devil has all the best tunes. And the best books and movies and games. And sex and fun. I know which side of the fence I’d rather be on.

Elsewhere on { feuilleton }
The gay artists archive
The men with swords archive

Previously on { feuilleton }
Gay for God

Angels 3: A diversion

On Monday Eroom Nala mentioned my Fallen Angel picture in one of the comments for the first angel posting. Here’s the picture in question (from 2004).

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As I mentioned earlier, this was based on Jeune homme assis au bord de la mer (Young Man Sitting by the Seashore, 1836), the most well-known painting by Jean Hippolyte Flandrin (1809–1864). In a posting back in February I wrote about how this painting has become something of a gay icon over 170 years, with increasing numbers of artists and photographers working their own variations on the pose. As far as I was aware, I was the only person to have tried adding wings to the figure.

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Now today I run across a great gallery of photographs by Jose Manchado who has his rather gorgeous model, Reuben, adopt the same pose then gives him a set of abstract wings.

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Manchado’s other photographs are well worth a look. He also adds more realistic wings to a female model but since we’re concerning ourselves with male angels this week I’ll leave you to look for her.

Elsewhere on { feuilleton }
The gay artists archive
The recurrent pose archive

Angels 1: The Angel of History and sensual metaphysics

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Angelus Novus by Paul Klee (1920?).

The Catholic church failed to work its medieval magic on me beyond inspiring a fondness for ecclesiastic architecture and men with wings. But in keeping with the season it’s Angel Week here on { feuilleton } although some of the angels featured may not be quite Vatican-approved.

Above is the Paul Klee painting that prompted Walter Benjamin’s celebrated piece from ‘Theses on the Philosophy of History’ (1940) in Illuminations:

A Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one perceives the angel of history. His face is towards the past. Where we perceive a chain of events, he sees one catastrophe, which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.

A world away from Benjamin’s wreckage, Caravaggio paints a typically luscious boy who just happens to have a pair of wings stuck to his back cradling a swooning saint in St Francis in Ecstasy. Ecstasy as a theme isn’t unknown in religious art, of course, but Renaissance painters usually showed St Theresa doing the fainting. Caravaggio was following a different muse.

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St Francis in Ecstasy by Caravaggio (1595).

The pair of embracing angels tumbling into the marvellous Seven Acts of Mercy (below) are slightly more robust, a lot more so than the creature posing in Rest on the Flight to Egypt (1597), a picture whose precise religious content seems tenuous at best. And there are still those who believe Caravaggio’s interest in male flesh was solely artistic…

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Seven Acts of Mercy by Caravaggio (1607).

More angels tomorrow.

Elsewhere on { feuilleton }
The gay artists archive