Subodh Gupta’s giant skull constructed from Indian cooking utensils.
From an exhibition at the Eglise Saint-Bernard, Paris, October 2006.
Previously on { feuilleton }
• History of the skull as symbol
Category: {art}
Art
The art of Nicola Verlato
There’s no place like home (2006).
Now here’s an artist—Italian, works in NYC—who makes most painters look like they’re slacking. No need to post more tiny jpegs when you can go to his site and see his extraordinary tempest-tossed cowgirls at a larger size. And there’s more oil-on-canvas mayhem at the Stux Gallery, New York.
Elsewhere on { feuilleton }
• The fantastic art archive
Thomas Allen’s paperback art
Topple (2006).
Mate (2006).
American artist Thomas Allen constructs witty and clever dioramas using figures cut from the covers of old pulp paperbacks. Probably not the future James Avati and co. anticipated for their paintings but it certainly gives their art a new lease of life. Things have come full circle since Allen’s constructions have been used to decorate a series of James Ellroy reissues. Allen’s prints are currently on display at the Foley Gallery, New York, until March 3rd.
Elsewhere on { feuilleton }
• The book covers archive
Frans Masereel’s city
Pages from Die Stadt (1925), a “novel in woodcuts” by anarchist artist Frans Masereel (1889–1972). See the other ninety-six pages here. And by the same artist, Die Idee.
A pacifist in World War I, he tried to make his art accessible to the ordinary man. His works were banned by the Nazis and widely distributed in Communist countries. But he rejected “political” art and party affiliation, condemning all enslavements, oppression, war and violence, injustice, and the power of money.
Elsewhere on { feuilleton }
• The etching and engraving archive
Darwin Day
Octopi and squid from Kunstformen der Natur (1899–1904) by Ernst Haeckel.
Celebrate Darwin’s birthday by looking at Ernst Haeckel’s wonderful prints.
Previously on { feuilleton }
• The glass menagerie