In the Mind’s Eye

itme.jpg

One of the posts last December concerned a short TV film by Alan Garner, To Kill a King, the final entry in the Leap in the Dark series which the BBC ran from 1973 to 1980. Each half-hour episode concerned the supernatural, presented in either drama or documentary form, which for me would have meant prime viewing but I don’t recall ever seeing the series. The Garner film was a strange piece of drama whereas In the Mind’s Eye (1977) is a documentary about ghosts presented by writer Colin Wilson. The film is almost more interesting for its production details than its subject, the Phantom Vicar of Ratcliffe Wharf, an alleged spectre whose murderous life is shown in a piece of unconvincing dramatisation. The Phantom Vicar was the invention of writer Frank Smyth who needed a supernatural story for the Frontiers of Belief section of Man, Myth and Magic during its publication as a part-work in the early 1970s. Smyth and friend describe hatching the tale then we hear a number of subsequent reports which show the story quickly became an East End legend. Between the interviews you get to see bits of the docklands area before the spirits of old London had been exorcised by redevelopment.

Previously on { feuilleton }
To Kill a King by Alan Garner
Dreaming Out of Space: Kenneth Grant on HP Lovecraft
MMM in IT
Terror and Magnificence

Cocteau drawings

cocteau1.jpg

Some of the drawings by Jean Cocteau that comprise a new exhibition at Wessel + O’Connor Fine Art, Lambertville, New Jersey. A third of these are untitled pencil drawings from the 1950s that look like unused illustrations from the first edition of Genet’s Querelle de Brest (1947): matelots posing in various states of undress, masturbating or having sex. Among the other works there are several lithographs in the Cocteau-does-Picasso style. Everything is for sale but no prices are listed on the website.

cocteau2.jpg

Les Amoureux (1956).

cocteau3.jpg

Previously on { feuilleton }
Querelle de Brest
Halsman and Cocteau
La Belle et la Bête posters
The writhing on the wall
Le livre blanc by Jean Cocteau
Cocteau’s sword
Cristalophonics: searching for the Cocteau sound
Cocteau at the Louvre des Antiquaires
La Villa Santo Sospir by Jean Cocteau

Owls and flowers

1: The pattern

pattern.jpg


2: A novel by Alan Garner

garner.jpg

The Owl Service (1967). Cover design by Kenneth Farnhill.


3: A Granada TV serial

granada.jpg

The Owl Service (1969). Eight episodes, written by Alan Garner, directed by Peter Plummer.


4: A diversion

clockwork.jpg

Chapter 8 of The Owl Service.

hills.jpg

Gillian Hills as Alison in The Owl Service.

aco.jpg

Gillian Hills (left) as Sonietta in A Clockwork Orange (1971).


5: A single by Pram

pram.jpg

The Owl Service (2000) by Pram. Cover art by Mary Jo Bole.


6: Ghost Box

belbury.jpg

The Owl’s Map (2006) by Belbury Poly. Design by Julian House.

Track 1: Owls And Flowers

advisory.jpg

As The Crow Flies (2011) by The Advisory Circle. Design by Julian House.

Track 11: Learning Owl Reappears


7: A group

owlservice.jpg

The Owl Service.


8: A Folio Society edition

hopes.jpg

The Owl Service (2013) by Alan Garner, illustrated by Darren Hopes.


9: Twelve audiological pathways

ayitc.jpg

In Every Mind: Transmission Resonances, Volume 1 (2015) by A Year In The Country.

Transmission Resonances: Volume 1 takes as its wellhead the continuing reverberations of the 1969 cathode ray version of Alan Garner’s The Owl Service.

It pushes open the attic door from whence the scratching descends and travels to places that surprised, intrigued and even delighted our good selves when it was being shaped on our own particular audiological potters wheels.

Previously on { feuilleton }
To Kill a King by Alan Garner
Red Shift by Alan Garner

Laurence Housman’s The Sensitive Plant

sensitive02.jpg

Shelley’s The Sensitive Plant is a lengthy poem written after the death of Percy and Mary Shelley’s first child. Laurence Housman illustrates the sombre garden scenes in a minutely detailed manner, and manages to incorporate some concerns of his own. Pan isn’t mentioned in the poem but Housman adds a Pan figure which he describes in a note as “the garden deity”, and a symbol of nature untamed.

sensitive01.jpg

sensitive03.jpg

Continue reading “Laurence Housman’s The Sensitive Plant”

Laurence Housman’s End of Elfintown

elfin01.jpg

More Laurence Housman, and a book I’d not seen before. Jane Barlow’s The End of Elfintown (1894) is a typical piece of Victorian fairy poetry—her “elves” are also flower-dwelling “Fays”, and Oberon is mentioned—but Housman’s renderings give a very different impression. In place of the usual delicate creatures he shows a very sensual company, all satyr ears and enormous Pre-Raphaelite manes. The frontispiece is very Beardsley-like, especially those entwined roses.

elfin02.jpg

elfin03.jpg

Continue reading “Laurence Housman’s End of Elfintown”