The Art of Fontana Modern Masters

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Design by John Constable, painting by Oliver Bevan (1971).

James Pardey was in touch again this week with news of his a book cover site which follows his earlier (and justly praised) Art of Penguin Science Fiction. The new site The Art of Fontana Modern Masters presents the abstract cover designs for Fontana’s collection of pocket-sized introductions to notable writers, philosophers and scientists. My own copy of the Joyce volume from the initial run of the series is shown above. A note on the back cover states that Oliver Bevan’s painting is part of a single work arranged across ten books which “can be rearranged to form a variety of patterns”. In a pitch to some presumed “collect-the-set” mentality among intellectuals, this idea was continued on later books in the series and James’s site gives an idea of how the covers might be arranged. Until I saw all these covers together I hadn’t realised how impressive the series looks. As with the Penguin site there’s copious information about the production and evolution of the designs.

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If that’s not enough, James has a short essay about the series at Eye magazine and HarperCollins (who bought out Fontana) are producing a fine art print of the entire run of covers as shown above. For more details about that, go here.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
Penguin science fiction

The art of Henri Privat-Livemont, 1861–1936

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left: Absinthe Robette (1896); right: Bitter Oriental (1897).

Henri Privat-Livemont, a Belgian artist and one of the best of the post-Mucha Art Nouveau stylists. I’ve featured his Absinthe Robette poster before but am including it again since it’s my favourite of the ones I’ve seen. All of these are from the Art of the Poster 1880–1918 collection at Lawrence University whose copies can be explored in extreme close-up.

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Biscuits & Chocolat Delacre (1896).

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Le Masque Anarchiste (1897).

Previously on { feuilleton }
Absinthe girls

Vision Quest

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Artwork: Accepting Fear Rather Than Trying to Understand It by Jason Leinwand.

Pam at Phantasmaphile follows last year’s Fata Morgana: The New Female Fantasists show by curating a new exhibition, Vision Quest, at Observatory, Brooklyn, NYC later this month:

…each piece in VISION QUEST explores the archetype of the shamanic voyage, using the tools of paint, pencil, or paper in lieu of fire, flower, feather.  Taken together this work represents a full spectrum of what it means to go underground and out of body; to go there and come back again, perhaps just a little bit wiser or, at the very least, more wide awake.

PARTICIPATING ARTISTS
Jesse Bransford • William Crump • Scott Gursky • Juliet Jacobsen • Ashley Lande • Adela Leibowitz • Jason Leinwand • Christopher Mir • Joe Newton • Herbert Pfostl • Christopher Reiger • Christine Shields • Erika Somogyi • Jessie Rose Vala

More details at Phantasmaphile. Meanwhile, a reminder that the similarly-themed Strange Attractor Salon opens this week at Viktor Wynd Fine Art, London. It’s looking like I’ll be too busy to attend the opening as the world crawls back to work after the holiday season but many of the other featured artists should be there on Thursday night if you happen to be in the East End.

Previously on { feuilleton }
Strange Attractor Salon
Fata Morgana: The New Female Fantasists