La belle sans nom

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La belle sans nom (1900).

An illustration by French artist Manuel Orazi (1860–1934) from Figaro illustré for a story by Jean Rameau. Via NYPL Digital Gallery. It’s good to see something else by Orazi other than advertising illustration. His astonishing work for Austin De Croze’s 1895 Calendrier Magique (below) can be seen in full at the Cornell collection. Great graphics for Halloween.

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
The Feminine Sphinx
Le Monstre
Carlos Schwabe’s Fleurs du Mal
Empusa

Berenice Abbott

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Manhattan Skyline: I. South Street and Jones Lane, Manhattan. March 26, 1936.

I love Berenice Abbott’s photographs of New York in the 1930s which capture the city in transition from a world of 19th century brownstones to the more familiar high-rise skyline. Dover Publications produced their own collection of her photos which I used as one of my key references when drawing Reverbstorm. The NYPL Digital Gallery has a huge selection online, including many which didn’t make the Dover book.

Previously on { feuilleton }
Eugene de Salignac
Luther Gerlach’s Los Angeles
The Bradbury Building: Looking Backward from the Future
Edward Steichen
Karel Plicka’s views of Prague
Atget’s Paris
Downtown LA by Ansel Adams

Rene Beauclair

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Bijoux modernes (c. 1900) from a series of Art Nouveau designs by Rene Beauclair. As usual the peacock caught my attention on this page. There’s more by Beauclair at the NYPL Digital Gallery

Previously on { feuilleton }
Elizabetes Iela 10b, Riga
The Divine Sarah
Whistler’s Peacock Room
Lalique’s dragonflies
Lucien Gaillard