Deutsche Kunst und Dekoration #20

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More sculptual work by Franz Metzner for a building whose interiors are in that ponderous Teutonic style which resembles designs for a fantasy film.

Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 20 covers the period from April 1907 to September 1907, and this is where this fascinating publication starts to run out of steam. A few more editions are worth looking at but after volume 25 the content collapses into the same welter of excessively dull genre painting and academic work that was plaguing Jugend magazine at this time. More about that later.

As usual, anyone wishing to see these samples in greater detail is advised to download the entire number at the Internet Archive. There’ll be more DK&D next week.

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Deutsche Kunst und Dekoration #19

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Water Serpents I by Gustav Klimt. See it in colour here.

Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Yesterday’s post concerned a Klimt-like artist, today volume 19, covering the period from October 1906 to March 1907, includes further work by Klimt himself. The Wiener Werkstätte, with whom Klimt was affiliated, continues to dominate these editions, understandably so when the architecture, art and design being produced by the group was some of the most advanced in the world. In addition to the customary graphics and interiors there’s also some examples of dress design by Gustav Klimt which I hadn’t seen before.

As usual, anyone wishing to see these samples in greater detail is advised to download the entire number at the Internet Archive. There’ll be more DK&D next week.

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A portrait of Margaret Stonborough-Wittgenstein by Gustav Klimt. The sitter was the sister of Ludwig Wittgenstein.

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A poster by Koloman Moser.

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Deutsche Kunst und Dekoration #18

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Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. There’s yet another frustrating jump in the numbers here, from volume 16 to volume 18 which covers the period from April to September 1906. Inside there’s more rectilinear interior design from the Wiener Werkstätte (above) as well as a great deal of less interesting interior design from elsewhere. The most notable feature of this edition is the article on the illustration work of Marcus Behmer, a member of Adolf Brand’s pioneering gay rights circle in Berlin whose drawings from this volume were featured in an earlier post.

As usual, anyone wishing to see these samples in greater detail is advised to download the entire number at the Internet Archive. There’ll be more DK&D next week.

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Deutsche Kunst und Dekoration #12

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Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 12 covers the period from April 1903 to September 1903, and this edition opens with a feature on the French Art Nouveau artist and designer George de Feure. This is followed by more from sculptor Franz Metzner including some of his designs for Germany’s many Bismarck monuments. Earlier volumes of DK&D have featured similar Bismarck designs by other architects but they tend to be as ponderous as you’d expect, the kind of thing which nationalists of the time would have found grand but which to our eyes look either pompous or—at their worst—quasi-fascist. Another feature on artist Paul Bürck finishes the edition. As before, anyone wishing to see these samples in greater detail is advised to download the entire volume at the Internet Archive. There’ll be more DK&D next week.

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Deutsche Kunst und Dekoration #6

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Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 6 covers the period from April to September 1900, and the content is still Art Nouveau all the way, with a dash of Symbolism. Among the contributors in this edition there’s Otto Eckmann and more work from Hans Christiansen, both frequent contributors to Jugend magazine There are further examples of stylish Art Nouveau interiors, and of considerable interest to this Exposition Universelle obsessive, a look at the Paris exposition of 1900 from the German side of things. As before, anyone wishing to see these samples in greater detail is advised to download the entire volume at the Internet Archive. There’ll be more DK&D next week.

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The ubiquitous peacocks were never far away in 1900.

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