Weekend links 5

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A poster design by Yusaku Kamekura. More here, via A Journey Round My Skull.

First of all this week, there’s a new interview posted which I gave last year to Crows ’n’ Bones magazine. The replies skate around the usual subjects (Cthulhu et al) and you also find out why I don’t think design and illustration for music is going to vanish as soon as some people think.

• A Journey Round My Skull has announced The Raymond Roussel Illustration Contest which is open to all.

• Cover designs: David Pearson on redesigning Cormac McCarthy’s UK covers, a huge improvement on the previous Picador series. Also, The Robert Lesser Pulp Art Collection.

• Last year I discussed Teleny, Or the Reverse of the Medal, the novel of gay erotica attributed to Oscar Wilde, giving a mention in passing to Jon Macy’s comic strip adaptation of the book. That adaptation has now been published and is available via his website.

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The Kiss (1896) by Will Bradley.

• More Art Nouveau (because too much is never enough): Will Bradley’s work at Golden Age Comic Book Stories. Can’t understand how I missed this one.

• A discussion: The Magic Mystery and Melancholy of Five Leaves Left by Nick Drake.

• Sandi Vincent’s Flickr pages overflow with Graphis Annual goodness.

• A new edition of the Arthur Radio Voyage is available to download. And Trunk Records’ Jonny Trunk has a mix of obscure vinyl for you.

• Song of the week: We Want War by These New Puritans. Slow motion shots in the video are a plus.

Lovecraft: Fear of the Unknown DVD

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It’s that thing again…

There’s much to loathe about this time of year—the short and dismal days whose appalling weather will persist until mid-March, the trees denuded at last of their leaves, the Chinese Water Torture of Xmas trivia—but the post this week at least brought some compensations. As well as the copies of Dodgem Logic there was a box of Penguin book cover postcards which I won in a Guardian Books giveaway, and also the long-awaited arrival of Frank Woodward’s documentary Lovecraft: Fear of the Unknown on DVD. I’ve mentioned this latter work before, of course, but I’ll repeat that it’s the best documentary to date concerning the life and career of HPL, and features several pieces of my own artwork as well as contributions from other fine Lovecraftian illustrators. Among the interviewees are Neil Gaiman, John Carpenter, Guillermo Del Toro, Caitlin R Kiernan, Peter Straub, Ramsey Campbell and Lovecraft scholar ST Joshi. The DVD is only Region 1/NTSC at the moment, but is available also as a Blu-ray disc if you need to see the aforementioned in high-definition. The film runs for 90-minutes and the disc includes an additional 70-minutes of interviews, a Lovecraft art gallery and more. Essential viewing for all aficionados.

Elsewhere on { feuilleton }
The Lovecraft archive

More book covers

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One of my Cthulhu portraits as it appears in Image Swirl, a new Google feature-in-search-of-a-purpose. Yes, I own a portion of the Googleverse, or the Googleverse owns a portion of me; the latter seems more likely. As well as being the cover of my Lovecraft volume, that picture appeared earlier this year on a reprint of The Call of Cthulhu from Barnes & Noble.

While we’re on the subject—and book covers are never far away, as yesterday’s post demonstrates—I was asked to contribute to this week’s Mind Meld discussion at SF Signal, answering the question “Which are the most memorable book covers in science fiction and fantasy?” Some of the entries in my list have been discussed here in the past. Compared to the other responses I come across like I’m giving a lecture… And there was further sf cover discussion at io9 this week. Good to see older generations of artists and designers still receiving enthusiastic attention.

Previously on { feuilleton }
Science fiction and fantasy covers

The eyes of Odilon Redon

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L’Oeil, comme un ballon bizarre se dirige vers l’infini from A Edgar Poe (1882).

Another decently thorough Symbolist website covers the life and work of Odilon Redon (1840–1916), an artist whose pastels and prints were strange even by the standards of his contemporaries. His giant eyeballs and other floating figures are always startling and point the way inevitably to Surrealism, especially in dream lithographs like the one below.

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Vision from Dans le Rêve (1879).

I compounded that Symbolist/Surrealist association when I was drawing The Call of Cthulhu in 1987 by showing Ardois-Boonot’s Dream Landscape (which Lovecraft doesn’t describe beyond the word “blasphemous”) as being a Max Ernst-style frottage canvas with a Redon eye rising from the murk. Cthulhu’s presence reduced to a single ocular motif like the eye of Sauron.

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The Call of Cthulhu (1988).

And while we’re on the subject there’s Guy Maddin’s typically phantasmic short, Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity made for the BBC in 1995. Ostensibly based on the balloon picture above, this manages to reference a host of other Redon lithographs and charcoal drawings in the space of four-and-a-half minutes. Sublimely weird and weirdly sublime.

Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
Arthur Zaidenberg’s À Rebours
The Heart of the World

New things for April II

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Another work-related update. This HP Lovecraft collection is published by Barnes & Noble next month and features my colour rendering of the rising monstrosity on its cover. Nice to have something decorating an actual Lovecraft book, the second time this has happened (first time was for a French volume). B&N also sell my own book, of course (with, er…the same cover pic).

And another shout-out, for a preview of Arik Roper‘s new book, Mushroom Magick: A Visionary Field Guide, at Abrams. Read an extract from Erik Davis’s introduction here.

Via Further.

Previously on { feuilleton }
The art of Arik Roper