Weekend links 462

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The next release on the Ghost Box label, Chanctonbury Rings is “a blend of folk, electronic music, poetry, prose and environmental sound” by Justin Hopper & Sharron Kraus with The Belbury Poly. The album will be available in June. Design, as always, is by Julian House.

• Clumsy and insensitive translations can ruin the enjoyment of a foreign-language film. Don’t blame us, say the subtitlers pressing film-makers for more appreciation of their art. Anne Billson on the difficulties of translating for a medium of moving images.

• At Expanding Mind: Hypermedia researcher and author Konrad Becker talks with Erik Davis about algorithms from hell, the madness of rationality, media seances, and the martial art of freedom.

The HP Lovecraft Cat Book: a limited collection of Lovecraft’s writings about cats edited by ST Joshi and illustrated by Jason C. Eckhardt.

Amacher was also inspired by a short story she found in the 1986 cyberpunk anthology Mirrorshades, edited by Bruce Sterling—a tale called Petra by Greg Bear, about a grand cathedral, possibly Notre Dame in Paris, in a ravaged, postapocalyptic landscape. Stone gargoyles and other statues mate with humans, creating new hybrids who wander the labyrinthine chambers of the battered house of worship.

Geeta Dayal on composer Maryanne Amacher

• The novel that wouldn’t leave Anthony Burgess alone: Alison Flood on the discovery of a non-fiction continuation of the themes in A Clockwork Orange.

Kristina Foster on photographs of Central Asia’s Striking Soviet Architecture.

Adrian Shaughnessy‘s ten favourite design and visual culture books.

William Joel on the process behind Helvetica’s 21st century facelift.

• The Stupid Classics Book Club by Elisa Gabbert.

The Haunted Generation by Bob Fischer.

Haunted Cocktails (1983) by Intro | Haunted Gate (1997) by David Toop | The Universe Is A Haunted House (2002) by Coil

Under the Hill by Aubrey Beardsley

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Aubrey Beardsley’s drawings are reprinted endlessly but his writings receive less attention even though he lavished as much care on his literary efforts as he did on his illustrations. The major work is his unfinished novel, Under the Hill, a book whose descriptive filigree is as detailed as the drawings which accompany the text, and whose erotic passages ensured that the story was never published in full during his lifetime. Extracts appeared with illustrations in The Savoy, the magazine for which Beardsley was art editor; after Beardsley’s death a longer expurgated version was published by John Lane in 1903, together with Beardsley’s other writings including two pieces of verse, The Three Musicians and Ballad of a Barber.

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The Lane volume is a recent arrival at the Internet Archive, and while most of the material is familiar to me it does feature a few pages of Beardsley’s table talk which I’d never seen before. The expurgated Under the Hill is worth reading as an introduction to Aubrey’s florid writing style (and his obsession with clothing) but so much is missing that it can’t be considered representative of the author’s intentions. Under the Hill was published in full in 1907 in a private edition by Leonard Smithers, but the book had to wait until 1959 to receive a more public presentation when Olympia Press added it to their famous Traveller’s Companion series. The Olympia edition has the additional benefit of being completed by John Glassco, a bisexual Canadian poet, and accomplished pasticheur of erotic literature. Glassco not only matches Beardsley’s style while completing the story, he also provides a detailed history of the text, and a defence of its value as literature. If you’re a Beardsley enthusiast who already has most of the artwork then the Olympia book is worth seeking out.

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New English Library reprint, 1966.

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Previously on { feuilleton }
Aubrey Beardsley and His World
After Beardsley by Ryan Cho
Aubrey Beardsley’s Keynotes
Antony Little’s echoes of Aubrey
Aubrey in LIFE
Beardsley reviewed
Aubrey Beardsley in The Studio
Ads for The Yellow Book
Beardsley and His Work
Further echoes of Aubrey
A Wilde Night
Echoes of Aubrey
After Beardsley by Chris James
Illustrating Poe #1: Aubrey Beardsley
Beardsley’s Rape of the Lock
The Savoy magazine
Beardsley at the V&A
Merely fanciful or grotesque
Aubrey Beardsley’s musical afterlife
Aubrey by John Selwyn Gilbert
“Weirdsley Daubery”: Beardsley and Punch
Alla Nazimova’s Salomé

Weekend links 461

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Le Stryge (The Vampire) (1853) by Charles Méryon.

Notre-Dame-de-Paris in art and photography. Related: Chris Knapp on the Notre-Dame fire, and John Boardley on the print shops that used to cluster around the cathedral. Tangentially related: Mapping Gothic France.

The Bodies Beneath: The Flipside of British Film & Television by William Fowler and Vic Pratt will be published next month by Strange Attractor. With a foreword by Nicolas Winding Refn.

• “In his new biweekly column, Pinakothek, Luc Sante excavates and examines miscellaneous visual strata of the past.”

I also gathered underland stories, from Aeneas’s descent into Hades, through the sunken necropolises of Italo Calvino’s Invisible Cities and the Wind Cave cosmogony of the Dakota Sioux, to accounts of the many cavers, cave-divers and free-divers who have died seeking what Cormac McCarthy calls “the awful darkness inside the world”—often unable to communicate to themselves, let alone others, what metaphysical gravity drew them down to death. Why go low? Obsession, incomprehension, compulsion and revelation were among the recurrent echoes of these stories—and they became part of my underland experiences, too.

Robert Macfarlane on underworlds real and imagined, past, present and future

• Mixes of the week: FACT Mix 703 by Mary Lattimore, and The Colour Of Spring by cafekaput.

• A witty appraisal by Anna Aslanyan of a lipogrammatic classic and its smart translation.

• “Unseen Kafka works may soon be revealed after Kafkaesque trial.”

• “Why do cats love bookstores?” asks Jason Diamond.

Sunn O))) pick their Bandcamp favourites.

Le Grand Nuage de Magellan

Cathedral In Flames (1984) by Coil | The Cathedral of Tears (1995) by Robert Fripp | Cathedral Et Chartres (2005) by Jack Rose

The art of Maurice Wade, 1917–1991

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Canal at Longport (1970s).

Maurice Wade‘s paintings of factories and back streets in Staffordshire are perfect examples of what the I Ching would call “accumulation through restraint”, using a flat rendering and a limited palette to achieve effects that a more detailed examination would fail to capture. Many of Algernon Cecil Newton‘s paintings possess the same stillness, and also depict the parts of urban Britain that are usually shunned as artistic subjects—in the case of canals, the literal backwaters—but Wade’s paintings are even more depopulated, silent and still. Henry Birks discusses Wade’s life and work here, noting that the artist painted over 300 landscapes. He’s evidently overdue for greater recognition.

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Canal at Middleport (1976).

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Canal at Longport III (1970s).

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Kitchen Chimneys (1964).

Previously on { feuilleton }
Valette’s steam and smoke

Weekend links 460

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Black Hole (1987) by Suzanne Treister.

• “Most people who are considered heroes are always to be found messing about in someone else’s affairs, and I don’t think that’s very heroic.” Robert Altman talking in 1974 to Jan Dawson about The Long Goodbye.

• “Tea is calming, but alerting at the same time.” Natasha Gilbert on the science of tea’s mood-altering magic.

• Alien spaceship, Hammer horror? Philip Hoare on the pulsating visions of Harry Clarke.

“…world cinema, particularly European cinema…hasn’t shied away from sex and, in fact, has often found ways of using sex to tell a story. Movies like The Duke of Burgundy or Sauvage or BPM gracefully integrate eroticism into the narrative—even when the sex itself is far from graceful. Even the American films that have focused on sex tend to do it with a leer and luridness, regarding sex with a certain narrative fetishism, as opposed to matter-of-factly.”

Rich Juzwiak talking to Catherine Shoard about the current state of sex in the cinema

• Chernobyl again: photographs by David McMillan from inside the exclusion zone.

Lasting Marks: the 16 men put on trial for sadomasochism in Thatcher’s Britain.

• Before Tarkovsky: Michael Brooke on the Russian TV adaptation of Solaris.

• Mix of the week: XLR8R Podcast 588 by Rouge Mécanique.

• Dustin Krcatovich on The Strange World of Mark Stewart.

• Your Surrealist literature starter kit by Emily Temple.

John Peel’s Archive Things (1970)

5fathom: Things rich and strange

Hole In The Sky (1975) by Black Sabbath | Thru The Black Hole (1979) by Metabolist | Black Hole (1993) by Total Eclipse