Die Farbe (2010).
The colour, which resembled some of the bands in the meteor’s strange spectrum, was almost impossible to describe; and it was only by analogy that they called it colour at all. Its texture was glossy, and upon tapping it appeared to promise both brittleness and hollowness.
The Colour Out of Space (1927).
Die Farbe (The Colour) is a German feature film by Huan Vu based on HP Lovecraft’s tremendous short story The Colour Out of Space. Vu’s film was completed last year, and has been well-received at film festivals and by Lovecraft aficionados but I’ve been rather tardy in hearing about it. Better late than never.
Having adapted two-and-a-half stories, I tend to take a more than cursory interest in works based on Lovecraft’s fiction. One of the reasons I tackled his works in the first place was out of frustration at the apparent inability of film producers and comic artists to treat the stories as they’d been written. The Colour Out of Space is one of the masterpieces of Lovecraft’s mature period, and was the favourite of his own stories, a skilful blending of horror and science fiction in the tale of a fallen meteorite infecting a farm with an inexplicable process of decay and physical mutation. The mysterious colour is the product of some unearthly substance inside the meteorite which corresponds to no known part of the visible spectrum. This wasn’t the first story of Lovecraft’s that I read—I’d earlier found The Moon-Bog in a ghost story anthology—but it was the first that made a serious impression when I came across it in another anthology at age 12 or 13. Since then, whenever people ask me which Lovecraft stories to read first The Colour Out of Space is always one I recommend.