Darwin at 200

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Man is But a Worm by Edward Linley Sambourne (1882).

Happy birthday Charles Darwin. The reaction to Darwin’s work from Punch and other journals was typical. While his studies remain controversial among those who believe there were dinosaurs on Noah’s Ark, his life and work are now celebrated on the Bank of England’s Ten Pound Note (but with the wrong kind of bird, it seems). Dogmatists take note: the Vatican is no longer on your side:

Father Giuseppe Tanzella-Nitti, Professor of Theology at the Pontifical Santa Croce University in Rome, said that Darwin had been anticipated by St Augustine of Hippo. The 4th-century theologian had “never heard the term evolution, but knew that big fish eat smaller fish” and that forms of life had been transformed “slowly over time”. Aquinas had made similar observations in the Middle Ages, he added.

He said it was time that theologians as well as scientists grappled with the mysteries of genetic codes and “whether the diversification of life forms is the result of competition or cooperation between species”. As for the origins of Man, although we shared 97 per cent of our “genetic inheritance” with apes, the remaining 3 per cent “is what makes us unique”, including religion.

“I maintain that the idea of evolution has a place in Christian theology,” Professor Tanzella-Nitti added.

Edward Linley Sambourne provided Punch with many caricatures of Victorian notables including the famous one of Oscar Wilde undergoing his own process of evolution by turning into a sunflower.

Dawkins on Darwin

Previously on { feuilleton }
“Weirdsley Daubery”: Beardsley and Punch
The Poet and the Pope

Dallamano’s Dorian Gray

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The 1970 screen adaptation of Dorian Gray by Massimo Dallamano is one film version I’ve yet to see. Given that it’s a production of notorious schlock merchants Samuel Z Arkoff and Harry Alan Towers I wouldn’t expect too much although it does have Helmut Berger as the star when he was at the height of his pulchritude. And I really like this Klimt-esque poster, a typical piece of Seventies design with an illustration that resembles many of the trendier European comic strips of the period. I’ve no idea who the artist was despite there being a scrawled signature. If anyone has a clue, please leave a comment.

Update: The artist is Ted Coconis.

A lengthy review at Cinebeats

Elsewhere on { feuilleton }
The Oscar Wilde archive

Sword on the rocks

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More unclothed men with swords and another vintage example, shamelessly swiped from Planet Fabulon.

And while we’re on the subject of men, the Kangaroo Court Theatre Company has another new adaptation of The Picture of Dorian Gray (Matthew Bourne’s dance version is still touring) opening this week at the Tabard Theatre, London.

A daring musical adaptation transports Oscar Wilde’s masterpiece into our own celebrity-obsessed, gossip-driven times – complete with shallow pop stars, sex-crazed artists and sleazy journalists. Co-produced with Kangaroo Court Theatre Company, this new adaptation of Dorian Gray updates the story incorporating new technology and an original musical score.

The company’s site has a few more details. The way they’re using the picture below to promote the work I think we can guess the audience they’re going for.

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Elsewhere on { feuilleton }
The men with swords archive

Previously on { feuilleton }
Matthew Bourne’s Dorian Gray
John Osborne’s Dorian Gray
Dorian Gray revisited
The Picture of Dorian Gray I & II