Lovecraftian horror at Maison d’Ailleurs


A slight return to the Lovecraft art exhibition that’s now running at Maison d’Ailleurs, the museum of science fiction, utopia and extraordinary journeys in Yverdon-Les-Bains, Switzerland. As mentioned last month, An Exhibition of Unspeakable Things: Works inspired by HP Lovecraft’s Commonplace Book includes my large digital work based on the lines “Mirage in time—image of long-vanish’d pre-human city”.


Curator Patrick Gyger has now posted two sets of photos of the exhibition on Flickr. My picture can be seen on this page and for Lovecraft art aficionados the 128pp catalogue should be along soon, featuring 90 illustrations and original fiction by Paul Di Filippo, Jeffrey Ford, Lucius Shepard, Norman Spinrad and others.

Elsewhere on { feuilleton }
The Lovecraft archive

New things for October


“Mirage in time—image of long-vanish’d pre-human city.”

A couple pieces of news to catch up with here, both Lovecraft-related which is very apt for the month of Halloween. The first is the work I gave a teaser view of in August, a commission for Maison d’Ailleurs, the Museum of Science Fiction, Utopia and Extraordinary Journeys in Yverdon-Les-Bains, Switzerland. The brief for An Exhibition of Unspeakable Things: Lovecraft’s Commonplace Book was to choose an entry from HP Lovecraft’s Commonplace Book, his source of story ideas. The entry I chose implies some of the alien architecture which is a feature of At the Mountains of Madness although I’ll admit that the final result is debatable as architecture.

Continue reading “New things for October”

Impressions de la Haute Mongolie revisited


Impressions de la Haute Mongolie – Hommage á Raymond Roussel (1974-75).

When I wrote a short reminiscence about Impressions de la Haute Mongolie last March I really didn’t expect I’d be watching it again just over a year later having waited thirty years for the opportunity. But now we can all see José Montes-Baquer’s collaboration with Salvador Dalí, thanks to the indispensable Ubuweb. The copy there doesn’t have English subtitles, unfortunately, but the visuals are still beguiling and not too difficult to follow if you can understand some French and Spanish. It was a curious experience seeing this again, some parts I remembered very well, others I’d completely forgotten about. Most surprising was the soundtrack of electronic music, much of it taken from recordings by Wendy Carlos, including a part of her ambient Sonic Seasonings suite and portions of her complete score for A Clockwork Orange. There’s more about this deeply strange film in Tate Etc.

And speaking of surreal landscapes, it’s worth mentioning that I’ve spent the past few weeks working on a new piece of Lovecraft-themed artwork for an exhibition at Maison d’Ailleurs, the Museum of science fiction, utopia and extraordinary journeys in Yverdon-les-Bains, Switzerland. The exhibition of newly-commissioned work based on themes from HP Lovecraft’s Commonplace Book will be launched in October 2007. More details about the event, and my contribution, closer to that date. In the meantime, the European edition of TIME magazine has a short feature about the gallery and its ethos.

Previously on { feuilleton }
Dalí and Film
Ballard on Dalí
Fantastic art from Pan Books
Penguin Surrealism
The Surrealist Revolution
The persistence of DNA
Salvador Dalí’s apocalyptic happening
The music of Igor Wakhévitch
Dalí Atomicus
Las Pozas and Edward James
Impressions de la Haute Mongolie