New things for August

cyaegha.jpg

Arriving in the post today was Steps of Descent, the new CD from American band Cyaegha featuring my design and illustration. The name Cyäegha (sic) belongs originally to a Cthulhu Mythos entity invented by Eddie C Bertin, author of The Whispering Horror, my favourite story from the Pan Book of Horror anthologies of the Seventies. The cover illustration is based on a scene from HP Lovecraft’s The Dream Quest of Unknown Kadath and the cover and inner pages feature some photographic material from one of my Paris trips. I was very pleased with the way this turned out and I believe the band are too. Steps of Descent is officially released by Canonical Hours on the 8th of August.

steampunk.jpg

Another recent piece of work is this Steampunk design suggested by writer Jeff VanderMeer who wanted a suitable layout for his semi-serious Steampunk formula. Jeff and wife Ann edited the recent Steampunk anthology from Tachyon so he knows whereof he speaks. This was going to be a T-shirt design but it seems now it may have a different outlet; more about that if and when it happens. The growing popularity of Steampunk as a sub-culture has raised some hackles recently but I like it even though I’ve not read many of the latest literary contributions. Anything which puts more brass, dirigibles and florid Victoriana into the world gets my vote.

Previously on { feuilleton }
Zeppelin vs. Pterodactyls
Wanna see something really scary?

George Pal’s Puppetoons

tulips.jpg

Tulips Shall Grow (1942).

Film producer George Pal‘s run of fantasy and science fiction films are justly celebrated and include one particular favourite of mine, The Time Machine (1960). Prior to the 1950s, however, Pal was known for his distinctive animations using wooden puppets, a technique which acquired several names, Pal Doll, Madcap Models and Puppetoons. Europa Film Treasures has two choice examples of these, La Grande Revue Philips from 1938, a promotional work for the Dutch radio company, and Tulips Shall Grow, a striking piece of wartime propaganda from 1942. The latter is especially worth a watch, not least for the way its scenes of destruction prefigure similar scenes in Pal’s updating of War of the Worlds ten years later.

The few Puppetoons I’ve seen have a unique atmosphere, the brightly-lit wooden characters seem hyper-real, like computer graphics decades before their time, while the movement tends to be bouncy and repetitive due to the figures having a limited range of poses. The only animation I can think of with a similar quality—and which may well have been influenced by Pal’s work—is Inspiration, Karel Zeman’s animation of glass figures from 1949. Some of Pal’s later films used his Puppetoon technique, notably tom thumb (1958), a film which also featured Jessie Matthews (aka Mrs Lord Horror in David Britton’s mythos) in one of her last screen appearances.

Previously on { feuilleton }
Karel Zeman
Barta’s Golem

Mermaids

mermaid.jpg

The Mermaid by Howard Pyle (1910).

A print of Howard Pyle’s wonderful mermaid painting adorns my bathroom and after looking at the Delaware Art Gallery page I’m surprised to discover that it was left unfinished. The Delaware gallery has more of Pyle’s work including his strikingly sparse pirate painting Marooned, which appeared on the cover of the Hal Willner compilation Rogue’s Gallery: Pirate Ballads, Sea Songs, and Chanteys, in 2006.

Mermaids are a popular thing on the web, of course, with several picture galleries of varying quality available, from prime Victorian to gaudy contemporary; needless to say, I prefer the former. All of which begs the obvious question: where are the mermen?

Previously on { feuilleton }
Octopulps
Howard Pyle’s pirates
The Masks of Medusa
Rogue’s Gallery: Pirate Ballads, Sea Songs, and Chanteys

Czech film posters

dumbo.jpg

I wouldn’t be surprised if these have been linked all over but I hadn’t come across this site before, Czech posters from the Cold War period when promotional material for Hollywood films was home-produced. This makes for some surprising results as with the psychedelic confection for Dumbo shown above. Elsewhere there’s a Piranesian collage for Raiders of the Lost Ark, a peculiar mangling of Richard Amsel’s poster for Hello Dolly, something for Death in Venice which seems to have nothing whatever to do with the film, and plenty of good solid design such as this piece for Pasolini’s Oedipus Rex.

In a similar vein there’s the extensive Polish Posters site which features some really great work from artists like Franciszek Starowieyski.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
The poster art of Richard Amsel
Bollywood posters
Lussuria, Invidia, Superbia
The poster art of Bob Peak
A premonition of Premonition
Perfume: the art of scent
Metropolis posters
Film noir posters
Czech book covers

The art of Nebojsa Zdravkovic

zdravkovic.jpg

Windy Day.

More of Zdravkovic’s beautifully-coloured paintings at Miss Magnolia Thunderpussy‘s Flickr pages while the Adonis Art Gallery, London, has originals for sale.

Nebojsa Zdravkovic was born in Belgrade in 1959, he trained in the best art schools and graduated with a Masters Degree. He is now a member of the Association of Serbian Fine Artists.

Elsewhere on { feuilleton }
The gay artists archive