Luke Smalley memorial exhibition

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Megaphone from Gymnasium.

I wasn’t aware that photographer Luke Smalley had died prematurely this year until a brief post I’d made about his work started getting hits from an obituary piece at the NYT. Bill O’Connor of Wessel + O’Connor emailed this weekend with news of a showing of Smalley’s final photo series, Sunday Drive, at Clampart, NYC. As with earlier series such as Gymnasium (2000), there’s also a monograph available from Twin Palms Publishers.

Luke Smalley: Sunday Drive—A Memorial Exhibition runs until December 19, 2009.

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Medicine Ball from Gymnasium.

Previously on { feuilleton }
Luke Smalley

The art of Ralph Koltai

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Ralph Koltai‘s contrasting of panels of corroded metal with smooth objects makes for some attractive combinations, reminding me of similar rough and smooth juxtapositions by artist and designer Russell Mills, notably on one of his Samuel Beckett covers and his design for Harold Budd and Brian Eno’s The Pearl. Koltai’s site also includes a gallery of his designs for theatre. Digital rust infiltrates my own work now and then via some photos I took of a Manchester railway bridge, the most recent use being in the background of the cover for Finch.

Previously on { feuilleton }
Finch posters
Samuel Beckett and Russell Mills
The art of Jo Whaley

Netherlands decorated books

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left: Over kunst en kunstenaars (1923); right: Over literatuur (1924).

A few examples from a collection of gorgeous Art Nouveau and Art Deco cover designs.

The books cover the period 1893–1939 and contains bindings in the Nieuwe Kunst and Art Nouveau styles by contemporary artists working in the Netherlands such as Jozef Cantre (1890–1957) and Jan Toroop (1858–1928). The collection is particularly strong on P.A.H. Hofman’s designs.

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left: Tziganen (1924); right: Rond de wereld (1931).

Elsewhere on { feuilleton }
The book covers archive