The labyrinth of Versailles

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I ought to have mentioned this last week since a plan of the lost labyrinth of Versailles appears in the William Henry Matthews book. The labyrinth was completed for Louis XIV in 1677, and is unusual for being a series of paths without a central focus, and also a very ornamental affair containing thirty-nine fountains with accompanying statuary which depicted the animals from Aesop’s fables. The latter were a suggestion of Charles Perrault from whose Labyrinte de Versailles (1677) these illustrations are taken. The etchings are by Sébastian Le Clerc whose map shows the route that visitors would have taken in order to visit each fountain in turn. The book may be browsed here or downloaded here.

The labyrinth was removed in 1778 but Wikipedia has a page with more information including some colour prints of the fountains, and also an English list of the fables depicted.

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Continue reading “The labyrinth of Versailles”

La tête de Robert

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I’m working against a deadline this week so I’ll apologise in advance if posts tend to be brief.

I’ve had this picture hanging around for a couple of months, something that good friend Thom sent me (thanks Thom!) to add to the apparently limitless catalogue of Salomé-related pictures. The subject is everyone’s favourite fin de siècle aristocrat Robert de Montesquiou—eccentric poet, waspish aesthete and chiroptophile—posing as the head of John the Baptist in a cyanotype from circa 1885 which may be embellished in the Comte’s own hand.

Meanwhile, Michelangelo writes to inform me of a feature-length Super-8 film on the Salomé theme by Mexican filmmaker Téo Hernandez (1939–1993) which will receive a screening at the Pleasure Dome, Toronto, in February. Sound very Jarmanesque so naturally I’d love to see it. Details here.

Elsewhere on { feuilleton }
The Salomé archive

Previously on { feuilleton }
Philippe Jullian, connoisseur of the exotic

Weekend links 144

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Ruins 3 by Rachel Thomas and Dan Tobin Smith.

“Dan wanted to do something on a really large scale and was looking at a lot of Piranesi and started talking to me about ruins. I then started looking at modern interpretations of this idea, I was obsessed with the post modern architecture of SITE, Disney fantasy settings, Busby Berkeley, Sotsass ceramics, Art Deco motifs in general, Giorgio de Chirico’s paintings, Arabic temples and on and on…” Rachel Thomas talks to Daisy Woodward about Imaginary View, an exhibition currently showing at Somerset House, London.

• A brief description of The Yokel’s Preceptor (1855), a guide to Victorian London’s gay underworld by William Dugdale. When do we get to see a facsimile of this document? The slang is a treat.

• Mix of the week: Secret Thirteen Mix 054, a great selection by Biosphere of doomy ambience from the Post Punk/early Industrial era, 1979–1981.

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Stella (Ernest Boulton) with Fanny (Frederick Park) (c. 1860–1870).

While Stella and Fanny might be the most terrible show-offs, not to mention industrious sex workers, even they drew the line at coupling in public places. Over the course of the subsequent trial, and despite bribing witnesses, the prosecution failed to prove that sodomy had ever occurred, either between the two young men themselves, or within their circle of genteel “sisters”, or even in a dark corner behind the Haymarket with a passing guardsman. Eventually, and only after a second trial a year later, the young men were found not guilty and allowed to slip back into their lives of pro-am theatricals, touring together and separately in such limp pieces as A Comical Countess and A Morning Call.

Kathryn Hughes reviews Fanny and Stella: The Young Men Who Shocked Victorian England by Neil McKenna. Related: photographs of the pair.

The Twilight Language of Nigel Kneale, a book of essays and a cassette tape dedicated to the television dramatist.

Sheltered and Safe from Sorrow: “Victorian mourning rituals, tombstones, epitaphs, and other creepy things”.

Crate digging and the resurgence of vinyl. Related: Men & Vinyl, a Tumblr devoted to men and their discs.

• Designer Shirley Tucker talks about her cover for the first edition of The Bell Jar by Sylvia Plath.

• More Will Bradley at The Golden Age (formerly Golden Age Comic Book Stories).

The Mirror Reflecting (Part 2), a new track by The Haxan Cloak.

Psychedelic Press UK | Related: Catnip: Egress to Oblivion?

Paris in colour circa 1900.

Twilight (1983) by Pete Shelley | Twilight (2000) by Antony and the Johnsons | Twilight (2005) by Robin Guthrie & Harold Budd

Maze and labyrinth panoramas

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Parc del Laberint d’Horta, Barcelona by Valentin Arfire.

Continuing the maze and labyrinth theme, a selection of panoramas at 360Cities. Panoramic photography helps when viewing these constructions at a distance, especially when the camera is centrally positioned. The selection may be small but it shows how universal the urge is to build these things, with examples from Europe, the heart of Russia (where we learn that labyrinths are called “Babylons”) and China. Some of the pages have links to additional views. There’s a plan of the Parc del Laberint d’Horta hedge maze at Wikipedia.

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Granite Maze, Kirchenlamitz, Bavaria by Martin Hertel.

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Centre of the labyrinth (4 of 6), Castle Weldam, Netherlands by Jan Mulder.

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“Vavilon” (Babylon) labyrinth, Kandalaksha District, Murmansk by Andrei Kuznetcov.

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Labyrinth at the Uithof, the Hague by Marco den Herder.

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Beijing Old Summer Palace 4, Labyrinth in Yuanmingyuan by Yunzen Liu.

Elsewhere on { feuilleton }
The panoramas archive

Previously on { feuilleton }
Mazes and labyrinths
Labyrinths
Jeppe Hein’s mirror labyrinth