Return to Wonderland

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As the festive season shambles into view I’ve reworked my psychedelic interpretation of Alice’s Adventures in Wonderland from calendar to poster format for those who might prefer the latter. There are two poster sizes, the standard CafePress large and small, and the calendar is still on sale, of course. By coincidence, the dreadfully-named Syfy channel is currently running its own TV adaptation of the Lewis Carroll books. I haven’t seen Alice but the reviews I’ve read have been mixed. From the description I can’t imagine I’d enjoy it (Tim Burton’s film is the one I’m waiting for) but it shows once again how endlessly mutable the Alice stories have become.

Previously on { feuilleton }
Dalí in Wonderland
Virtual Alice
Psychedelic Wonderland: the 2010 calendar
Charles Robinson’s Alice’s Adventures in Wonderland
Humpty Dumpty variations
Alice in Wonderland by Jonathan Miller
The Illustrators of Alice

Jack Rose, 1971–2009

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It was a shock this weekend to hear of the sudden death (heart attack, apparently) of American guitarist Jack Rose. I think I saw him perform four times in all, the first occasion being at Spaceland in Los Angeles, 2005, where I snapped this photo which I used for a poster design when he played in Manchester a few months later. His shimmering extemporisations on blues and folk themes that evening were simply stunning and I rushed to buy his Kensington Blues CD as soon as he’d finished. There’s no need to attempt futile descriptions of his talent when you can go to YouTube and discover it for yourself. He was only 38. A great loss to family, friends and music.

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Previously on { feuilleton }
The Golden Apples of the Sun
Jack Rose returns
Jack Rose in Manchester

Lovecraft: Fear of the Unknown DVD

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It’s that thing again…

There’s much to loathe about this time of year—the short and dismal days whose appalling weather will persist until mid-March, the trees denuded at last of their leaves, the Chinese Water Torture of Xmas trivia—but the post this week at least brought some compensations. As well as the copies of Dodgem Logic there was a box of Penguin book cover postcards which I won in a Guardian Books giveaway, and also the long-awaited arrival of Frank Woodward’s documentary Lovecraft: Fear of the Unknown on DVD. I’ve mentioned this latter work before, of course, but I’ll repeat that it’s the best documentary to date concerning the life and career of HPL, and features several pieces of my own artwork as well as contributions from other fine Lovecraftian illustrators. Among the interviewees are Neil Gaiman, John Carpenter, Guillermo Del Toro, Caitlin R Kiernan, Peter Straub, Ramsey Campbell and Lovecraft scholar ST Joshi. The DVD is only Region 1/NTSC at the moment, but is available also as a Blu-ray disc if you need to see the aforementioned in high-definition. The film runs for 90-minutes and the disc includes an additional 70-minutes of interviews, a Lovecraft art gallery and more. Essential viewing for all aficionados.

Elsewhere on { feuilleton }
The Lovecraft archive

Barney ascendant

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Poster by Barney Bubbles for Elvis Costello’s Get Happy!! (1980).

Adelita, the publishers of Reasons To Be Cheerful: the life and work of Barney Bubbles, announced this week that Paul Gorman’s essential collection of BB graphics has been named Book of the Year in Mojo magazine:

Reasons To Be Cheerful – the acclaimed study of the life and work of the late graphic genius Barney Bubbles – has been declared Book Of The Year by the UK’s leading rock monthly Mojo magazine.

Described as “fascinating and definitive” by the Sunday Times and “moving and lovingly researched,” by GQ editor Dylan Jones in The Independent, Reasons To Be Cheerful was written by Paul Gorman (author of style bible The Look and Straight with Boy George) and published by British independent popular culture imprint Adelita (sales and distribution through Turnaround Publisher Services).

Mojo will name Reasons To Be Cheerful Book Of The Year in its January 2010 issue (published November 27) with an exclusive interview with Factory Records designer Peter Saville praising its publication.

A quarter of a century after he took his own life at the age of 41, Reasons To Be Cheerful has transformed Barney Bubbles’ cult status by elevating him into the pantheon of graphic design greats. Among fans of the book are such prominent musicians as Paul Weller, Jah Wobble, Mick Jones, Nick Lowe and Billy Bragg.

Reasons To Be Cheerful is the first and definitive exploration of this important visual artist’s body of work, with more than 600 images including student sketchbooks, private paintings, product, brand, underground and music press and examples of the hundreds of record sleeves, posters, adverts, promotional items and music videos he created for the likes of the Rolling Stones, Hawkwind, Ian Dury, Elvis Costello, Nick Lowe, Squeeze, Depeche Mode, The Specials and Billy Bragg.

Reasons To Be Cheerful has also spawned a spectacular online presence featuring fresh interviews, information and rare and previously unseen images (see http://barneybubbles.com/blog) and has been well received in the UK and US (where it is distributed by D.A.P). Author Paul Gorman will also curate a Barney Bubbles exhibition to be inaugurated at London’s Chelsea Space gallery during Design Week in September 2010.

By coincidence, two days after Mojo appears the All-Day Barney Bubbles Benefit Memorial Concert will be staged at the 229 Club, Great Portland Street, London. Bands featured include various members of the Hawkwind/Hawklords family led by Nik Turner. There’ll also be the return of Turner’s post-Hawks outfit Inner City Unit, for whom Barney created some of his last designs, and the resurrection of the Imperial Pompadours, a one-off rock’n’roll collaboration between Nik and Barney. That’s happening on 29th November and Turner’s website has all the necessary details.

The Elvis Costello poster above comes from a feature about the Get Happy!! album at Paul Gorman’s BB site. I was never a great fan of Costello’s records but the designs Barney created for those early releases were outstanding and represent the peak of his career. (See the Armed Forces sleeve design for a real eye blast.) Paul’s post shows how much work went into creating a range of integrated graphics for the album, singles and promotional material, and he also has some exclusive material which didn’t make it into Reasons To Be Cheerful. The BB book has been a continual treat to look through this year, and the book design I happen to be finishing has not only been inspired by Barney’s example but also manages to make passing reference to him inside. More about that later.

Previously on { feuilleton }
Hawk things
Who is Heeps Willard?
The Sonic Assassins
Reasons To Be Cheerful, part 3: A Barney Bubbles exclusive
More Barney Bubbles
Reasons To Be Cheerful, part 2
Reasons To Be Cheerful: the Barney Bubbles revival
Barney Bubbles: artist and designer

More book covers

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One of my Cthulhu portraits as it appears in Image Swirl, a new Google feature-in-search-of-a-purpose. Yes, I own a portion of the Googleverse, or the Googleverse owns a portion of me; the latter seems more likely. As well as being the cover of my Lovecraft volume, that picture appeared earlier this year on a reprint of The Call of Cthulhu from Barnes & Noble.

While we’re on the subject—and book covers are never far away, as yesterday’s post demonstrates—I was asked to contribute to this week’s Mind Meld discussion at SF Signal, answering the question “Which are the most memorable book covers in science fiction and fantasy?” Some of the entries in my list have been discussed here in the past. Compared to the other responses I come across like I’m giving a lecture… And there was further sf cover discussion at io9 this week. Good to see older generations of artists and designers still receiving enthusiastic attention.

Previously on { feuilleton }
Science fiction and fantasy covers