Groovy book covers

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top left: Leo & Diane Dillon (1969); top right: Tom Huffman (1968).
bottom left: Gray Morrow & Henry Berkowitz (1967); bottom right: no credit.

Great examples of typically florid Sixties’ cover design at Font of all Wisdom – Unique lettering in design, a Flickr pool. The masterful Leo & Diane Dillon illustrated many of Harlan Ellison’s books, inside and out.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
Harlan Ellison: Dreams with Sharp Teeth

The best font won

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The beautifully elegant Gotham typeface by Hoefler & Frere-Jones was already becoming pretty ubiquitous even before the Obama brand designers chose it for all their campaign graphics. I’ve used it myself a couple of times recently, notably on the jacket for Keith Seward’s Horror Panegyric. Some typefaces have a flush of popularity then fade as they start to look dated but I can’t see this happening with Gotham. Hoefler & Frere-Jones have pulled off the very difficult task of creating a new sans serif that not only works as well as classics such as Futura and Gill Sans but is on the way to being a classic in its own right.

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Previously on { feuilleton }
New things for December

Tugra of Suleiman the Magnificent

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The Tugra, or imperial monogram, of Suleiman the Magnificent, c. 1550–65. From the calligraphy section of the Islamic art collection at the Los Angeles County Museum of Art.

Previously on { feuilleton }
Ottoman calligraphy and Arabic typography
Flourishes
Ghubar
Calligraphy by Mouneer Al-Shaárani
The Journal of Ottoman Calligraphy
Word into Art: Artists of the Modern Middle East