{psychedelia} – Page 79 – { feuilleton }

Dutch psychedelia

left: Absolutely Free by Theo van den Boogaard (1967).
right: Blowin’ Your Mind by Willem de Ridder (1967).

A couple of samples from similar work scattered around a Dutch auction site, along with more familiar designs from the San Francisco and London artists. All the Dutch examples are new to me; the dominance of the American and British designers of the period tends to marginalise the work of artists from Continental Europe even though Dutch design group The Fool was very prominent for a while due to The Beatles’ patronage.

Previously on { feuilleton }
• Family Dog postcards

Design as virus 4: Metamorphoses

Metamorphosis by Bridget Riley (1964).

Mademoiselle ad (1965).

From this Flickr set. Thanks to Aristan for the tip.

Hallucinations: Psychedelic Pop Nuggets From The WEA Vaults (2004).

Elsewhere on { feuilleton }
• The album covers archive

Previously on { feuilleton }
• Design as virus 3: the sincerest form of flattery
• Design as virus 2: album covers
• Design as virus 1: Victorian borders
• Chrome: Perfumed Metal
• New Bridget Riley

‘Father of LSD’ dies aged 102

‘Father of LSD’ dies aged 102
| Albert Hofmann, RIP.

Forever Changes by Jim Lambie

Nothing to do with the late Arthur Lee, well…not directly anyway. I love the contrast between the dizzying floor design (created with vinyl tape) and the rather dour Corinthian columns in Jim Lambie’s installation. I believe the Flickr photo above shows the work being prepared.

Forever Changes, which also includes some of the artist’s playful sculptures, is at the Gallery of Modern Art, Glasgow, as part of the Glasgow International arts festival until September 29, 2008. A review for The Scotsman describes some of its details. Lambie likes his floor coverings, having previously produced dazzlingly vibrant works such as ZOBOP which you can see being created in a little time-lapse movie here.

Yayoi Kusama

Infinity Mirrored Room—Love Forever (1994).

“It is not controversial to describe Yayoi Kusama as Japan’s greatest living artist,” says Hannah Duguid in The Independent. I made a post about Kusama’s artworks in 2006 and now her work is in exhibition at the Victoria Miro gallery, London.

For this exhibition, revered Japanese artist Yayoi Kusama has conceived a new installation Dots Obsession—Infinity Mirrored Room (2008) especially for the upper gallery and in the lower galleries will install 50 new silkscreen works that will be shown alongside two significant sculptural pieces from the early nineties. At Victoria Miro 14 the artist will present a series of new dot paintings and an environmental installation I’m Here, but Nothing (2000-2008). The exhibition will continue outside the gallery where Kusama will install one of her most infamous works, Narcissus Garden in Regents Canal—a work which has never before been exhibited in the UK.

More pictures here. The exhibition runs until 20 March, 2008

Narcissus Garden (1966—2008).

Previously on { feuilleton }
• Maximum Silence by Giancarlo Neri
• The art of Yayoi Kusama
• Atomix by Nike Savvas