The New Love Poetry

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Yesterday’s book purchase was a small poetry collection from the magical year of 1967, edited by Peter Roche. Despite its Beatles cash-in title, Love, Love, Love: The New Love Poetry, not everything here is lightweight fare, Adrian Mitchell’s Peace is Milk is aimed more at the war in Vietnam than some object of affection. Among the other contributors there are the poets one would expect such as Roger McGough and Michael Horovitz, also Pete Brown who wrote lyrics for Cream and later had his own band, Piblokto. And there are contributions from Libby Houston, the wife of Mal Dean, an artist notable for his illustrations for Mike Moorcock’s books of the period and (later) some album sleeves for Pete Brown and others. Some of Libby’s poems appeared in the 50th anniversary edition of New Worlds magazine, along with an illustration by yours truly.

Contents aside, I picked this up mainly for the cover which I guessed was the work of Hapshash and the Coloured Coat, aka Michael English and Nigel Waymouth, along with Martin Sharp the leading psychedelic artists in the UK during the late Sixties. This proved to be a good guess as the book can be seen on this Hapshash page and if I’d have looked closer while in the shop I’d have seen their name written in tiny letters on the purple “O”. Not a difficult guess, their swirly lettering designs are very distinctive. See the full groovy cover here.

A Hapshash and the Coloured Coat gallery

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The book covers archive

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Dutch psychedelia
Family Dog postcards
The 14-Hour Technicolor Dream revisited

Dutch psychedelia

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left: Absolutely Free by Theo van den Boogaard (1967).
right: Blowin’ Your Mind by Willem de Ridder (1967).

A couple of samples from similar work scattered around a Dutch auction site, along with more familiar designs from the San Francisco and London artists. All the Dutch examples are new to me; the dominance of the American and British designers of the period tends to marginalise the work of artists from Continental Europe even though Dutch design group The Fool was very prominent for a while due to The Beatles’ patronage.

Previously on { feuilleton }
Family Dog postcards

Design as virus 4: Metamorphoses

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Metamorphosis by Bridget Riley (1964).

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Mademoiselle ad (1965).

From this Flickr set. Thanks to Aristan for the tip.

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Hallucinations: Psychedelic Pop Nuggets From The WEA Vaults (2004).

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The album covers archive

Previously on { feuilleton }
Design as virus 3: the sincerest form of flattery
Design as virus 2: album covers
Design as virus 1: Victorian borders
Chrome: Perfumed Metal
New Bridget Riley

Forever Changes by Jim Lambie

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Nothing to do with the late Arthur Lee, well…not directly anyway. I love the contrast between the dizzying floor design (created with vinyl tape) and the rather dour Corinthian columns in Jim Lambie’s installation. I believe the Flickr photo above shows the work being prepared.

Forever Changes, which also includes some of the artist’s playful sculptures, is at the Gallery of Modern Art, Glasgow, as part of the Glasgow International arts festival until September 29, 2008. A review for The Scotsman describes some of its details. Lambie likes his floor coverings, having previously produced dazzlingly vibrant works such as ZOBOP which you can see being created in a little time-lapse movie here.