Solaris

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This wonderful poster was designed by Andrzej Bertrandt for the Polish release of Andrei Tarkovsky’s 1972 film of the novel by Stanislaw Lem. Lem didn’t like the film, referring to it as “Crime and Punishment in space”, which is a fair description seeing as it’s filled with the same lengthy moral discussions as Tarkovsky’s other films.

There are more posters and pictures at the great Tarkovsky site Nostalghia.com. Also lengthy quotes and interviews about all his films:

I don’t like science fiction, or rather the genre SF is based on. All those games with technology, various futurological tricks and inventions which are always somehow artificial. But I’m interested in problems I can extract from fantasy. Man and his problems, his world, his anxieties. Ordinary life is also full of the fantastic. Life itself is a fantastic phenomenon. Fyodor Dostoievsky knew it well. That’s why I want to focus on life itself—everyday, ordinary. Because within it anything can happen. My Solaris is not after all true science fiction. Neither is its literary predecessor. What counts here is man, his personality, his very persistent bonds with planet Earth, responsibility for the times he lives in. I don’t like your typical science fiction, I don’t understand it, I don’t believe in it. The fact is when I was working on Solaris I was concerned with the same subject as in (Andrei) Rublev. Human being. These two films are only separated by the time the action is taking place.

The Invasion of Thunderbolt Pagoda

invasion1.jpgANNOUNCING THE AKASHIC RECORD DVD SERIES – A BASTET EXCLUSIVE

“THE INVASION OF THUNDERBOLT PAGODA” DVD FEATURING “BRAIN DAMAGE” & “FROM THE MYLAR CHAMBER” SLIDESHOW

BASTET, in collaboration with SATURNALIA and THE IRA COHEN AKASHIC PROJECT, is proud to announce the launch of THE AKASHIC RECORD DVD SERIES.

Celebrated internationally for more than 40 years, and screening this Friday, March 17 as part of the “Day for Night” program at the 2006 Whitney Biennial, Ira Cohen’s THE INVASION OF THUNDERBOLT PAGODA director’s cut DVD is now available for pre-order exclusively through BASTET / ARTHUR magazine.

Ira Cohen, director: “It was in 1968, the year before Woodstock, between the giant bottle of liquid mercury Tony Conrad found in a doorway on 42nd St. and the Mylar chamber, we experienced a shared voyage conceived in three parts: The Opium Dream, Shaman and Heavenly Blue Mylar Pavilions, an alchemical journey born of out common consciousness – culminating in the akashic bindu drop swirling in the sky’s reflected azure. No minimalism here, but a maximalist adventure…”

Continue reading “The Invasion of Thunderbolt Pagoda”

Cosmic zooms

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Cosmic Zoom was a short animated film by made by Eva Szasz in 1968 for the National Film Board of Canada.

This film probes the infinite magnitude of space, and its reverse, the ultimate minuteness of matter. Animation art and animation camera achieve this journey to the farthest conceivable point of the universe and then into the tiniest particle of existence—an atom of a living human cell—with a freshness and clarity that would seem impossible with other means of exposition. Film without words.

The film zooms out from a boy rowing a boat across a lake, into the farthest reaches of space, then back down to earth again to focus on a mosquito on the boy’s arm, then further down into cells and atoms.

A similar film called Powers of Ten (from which the still above is borrowed) was made in 1977 by Charles and Ray Eames. The Eames’ film is a lot more detailed and with a running commentary full of scientific information. You can see it on YouTube here.

The ultimate Eamesian expression of systems and connections, Powers of Ten explores the relative size of things from the microscopic to the cosmic. The 1977 film travels from an aerial view of a man in a Chicago park to the outer limits of the universe directly above him and back down into the microscopic world contained in the man’s hand. Powers of Ten illustrates the universe as an arena of both continuity and change, of everyday picnics and cosmic mystery. The film also demonstrates the Eameses’ ability to make science both fascinating and accessible.

Just to show the persistence of a fascinating idea, there’s a nice java animation here.

View the Milky Way at 10 million light years from the Earth. Then move through space towards the Earth in successive orders of magnitude until you reach a tall oak tree just outside the buildings of the National High Magnetic Field Laboratory in Tallahassee, Florida. After that, begin to move from the actual size of a leaf into a microscopic world that reveals leaf cell walls, the cell nucleus, chromatin, DNA and finally, into the subatomic universe of electrons and protons.

The life and work of Derek Jarman

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The Angelic Conversation, 1985.

An unseen woman recites Shakespeare’s sonnets—fourteen in all—as a man wordlessly seeks his heart’s desire. The photography is stop-motion, the music is ethereal, the scenery is often elemental: boulders and smaller rocks, the sea, smoke or fog, and a garden. The man is on an odyssey following his love. But he must first, as the sonnet says, know what conscience is. So, before he can be united with his love, he must purify himself. He does so, bathing a tattooed figure (an angel, perhaps) and humbling himself in front of this being. He also prepares himself with water and through his journey and his meditations. Finally, he is united with his fair friend.