A journal by artist and designer John Coulthart.
Fashion
Elly Jackson of La Roux in the recent video for Bulletproof. I’ve been enjoying La Roux’s debut album a great deal in the past week. The jacket she’s wearing is designed by Jean-Charles de Castelbajac and features the black stripes and primary colours used by Piet Mondrian (1874–1942) in his Neo-plasticist paintings of the 1920s.
Foiled again… Model Mathias Lauridsen photographed by Kacper Kasprzyk. Thanks to Thom for the tip!
Elsewhere on { feuilleton }
• The men with swords archive
Brett Reeves photographed by Peter Tamlin.
Yeah, I like the fetish look but all too often it’s been spoiled by ridiculous Tom of Finland-style moustaches. Brett Reeves, on the other hand….damn. Love the black nail polish and the tats; some of the clothes are pretty good too. This was from I Want to Do Bad Things to You, a great de-saturated photo spread by Peter Tamlin at Fantasticsmag. “Off-the-charts-sexy” says VGL which provided the tip. Can’t disagree with that.
Previously on { feuilleton }
• The art of Ralf Paschke
• Let’s get physical: Bruce of Los Angeles and Tom of Finland
left: “Hippies in a psychedelic coffee shop“, San Francisco, 1967; right: “Pair of long-haired Londoners in a psychedelic corner of the Beatles’ Apple boutique“, London, 1968.
A few of the photos which turn up when searching for pictures of the psychedelic era at Google’s LIFE archives.
No, not the Australian singer. Soundsuits are wearable artworks by an American artist, dancer and fashion designer. Bigger pictures here while the Jack Shainman gallery has details of a recent exhibition.
Metal armatures adorned with a range of objects including painted ceramic birds, flowers, brass ornaments, and strands of beads, top the figures and serve as headdresses that activate the sculpture and provide a visual and textural contrast to the soft bodysuit. Soundsuits, named for the sounds made when the sculptures are worn, are as reminiscent of African and religious ceremonial costumes as they are of haute couture. A multitude of references bring to mind not only disparate cultural traditions but they also highlight Cave’s diverse background and artistic training. Cave studied and danced with Alvin Ailey and created his own clothing line which he featured in a shop he opened and ran for ten years. He is as interested in fashion and cultural, ritualistic and ceremonial concepts as he is in politics, a domain that has always been part of his work as demonstrated by acts of collecting and reconfiguring elements and concealing the identity, race, and gender, of those who wear his suits.
