Cathartes.
Paintings from this gallery of portraits and still lifes. I suspect Jeff VanderMeer would appreciate the Manfungus series. Via Chateau Thombeau.
Manfungus 1.4.
Elsewhere on { feuilleton }
• The fantastic art archive
Category: {fantasy}
Fantasy
Schott’s Physica Curiosa
Pages from Physica Curiosa (1697) by Gaspar Schott, a collection of natural anomalies and the usual debatable creatures which belong in a fantastic bestiary. Some of these are similar to illustrations from the same period which I’ve used in Ann & Jeff VanderMeer’s Kosher Guide to Imaginary Animals, due for publication soon by Tachyon.
Elsewhere on { feuilleton }
• The etching and engraving archive
A profusion of Peake
Bellgrove, young Titus and Barquentine by Mervyn Peake. Case designed by Robert Hollingsworth.
I’d thought about posting the covers of my boxed set of Gormenghast paperbacks a couple of years back when there was a flurry of blogospheric attention being given to Penguin cover designs…thought about it then never got round to it. The reason for doing so now is twofold: firstly I’ve been re-reading the books, and secondly some Gormenghast-related news emerged this week which gives this post an additional relevance.
Fuchsia by Mervyn Peake.
The set of Peake paperbacks which Penguin published in 1968 (and their subsequent reprints) were the first editions of Peake’s trilogy which I encountered so I can’t help but regard them as the ones, the only copies I could countenance reading. That may change, however (see below). I’ve no idea how scarce the boxed edition is but the books are reprintings from 1970 so I presume Penguin put out a boxed gift set to make the most of Peake’s posthumous success. I always liked the presentation which is the standard Penguin Modern Classics format of the period, it leaves to you how much you want to regard the books as works of fantasy or simply novels of a rather grotesque and highly imaginative reality. Titus Groan‘s sketch of a glowering and thoroughly unglamorous Fuchsia was a daring choice for a cover intended to lure a newer, younger audience to Peake’s work. The drawing says a great deal about the author’s unsentimental attitude towards his creations; compared to the florid and often delicate covers of the fantasy books being published by Ballantine in the late Sixties (a series which included the Gormenghast trilogy), it seems shockingly unpleasant.
Sinister silhouettes
One of a series of creepy children’s illustrations by Alexander Ovchinnikov which look like the work of pioneering animator Lotte Reiniger pushed into a darker world. Ovchinnikov’s Behance portfolio has a similar set mixing silhouettes with photography.
Elsewhere on { feuilleton }
• The illustrators archive
Joseph Cavalieri’s stained glass
The Good Ship Ménage À Trois (2008).
New York artist Joseph Cavalieri‘s stained glass work using Simpsons characters received a flurry of blogospheric attention recently. Of more interest for me is his gay-themed panels like the one above which show a different approach to the medium from that taken by Diego Tolomelli.
Gormenghast (2009).
And since I happen to be re-reading Mervyn Peake’s Gormenghast trilogy at the moment, this panel was especially noteworthy. See the full piece here.
Elsewhere on { feuilleton }
• The gay artists archive
Previously on { feuilleton }
• Mervyn Peake at Maison d’Ailleurs
• Harry Clarke’s stained glass
• IKO stained glass