{painting} – Page 177 – { feuilleton }

The Hound of Heaven by RH Ives Gammell

A Pictorial Sequence by RH Ives Gammell Based on
The Hound of Heaven (1956):
left: Panel II—I Fled Him, Down The Nights and Down The Days.
right: Panel XI—Would Clash It To.

I mentioned Francis Thompson’s poem The Hound of Heaven in the Stella Langdale post a couple of days ago. There don’t appear to be any examples of those pictures online but there are a few samples of RH Ives Gammell‘s remarkable paintings based on the same work which Claire alerted me to last month. Gammell (1893–1981) was an American realist with a forthright attitude that set him against Modernist and later art trends yet he was still able to incorporate a more contemporary approach to composition in these unique works. Too often pitching yourself against the present results in the kind of reactionary posturing one sees at the Art Renewal Center where they wish they could turn the clock back to a time before Picasso. Gammell was smarter than that and his Thompson paintings are a striking series of Tarot-like depictions of Christian mysticism.

Once again I have to make the complaint that there aren’t many good reproductions of these works online at the moment; a complete set of the pictures would be a start. The paintings themselves can be seen at the Maryhill Museum of Art, Goldendale, Washington, USA.

• RH Ives Gammell by Elizabeth Ives Hunter
• Transcending Vision; details of a 2001 exhibition

Elsewhere on { feuilleton }
• The fantastic art archive

Previously on { feuilleton }
• The art of Stella Langdale, 1880–1976

Visions and the art of Nick Hyde

Cover painting: Holy Grove by Gage Taylor (1975).

Book purchase of the week was this American collection of what we have to call “hippy art” (or “California Visionary Art”, as its creators preferred) published by Pomegranate Publications in 1977. I’d seen this circa 1979 and many of the pictures inside were used by Omni Magazine to decorate the science fiction stories in their early issues. After that it vanished from view completely which leads me to believe that UK distributors Big O didn’t sell as many as they would have liked. The white cover design made me remember it for a long time as being part of the David Larkin series which I discussed in May but it isn’t, although the Larkin books were quite probably the model for the book’s presentation.

Finally acquiring a copy was something of a disappointment since it transpires I remembered the decent painters and forgot the terrible ones who comprise at least half the book. Cliff McReynolds is one of the better artists (Omni thought so too) and by coincidence I posted one of his Visions paintings, Landscape with Grenade, almost a year ago to the day.

BethAnn (1970).

Best of the bunch for me is Nick Hyde whose fantastically detailed works blend the fractal filigree of psychedelic art with the kind of dreamscapes and tableaux one sees in Surrealism. The print reproductions do little justice to his detail and the web degrades his work even further (see Abraxas for a good example). Happily there are posters available.

Elsewhere on { feuilleton }
• The fantastic art archive

Lovecraftian horror at Maison d’Ailleurs

A slight return to the Lovecraft art exhibition that’s now running at Maison d’Ailleurs, the museum of science fiction, utopia and extraordinary journeys in Yverdon-Les-Bains, Switzerland. As mentioned last month, An Exhibition of Unspeakable Things: Works inspired by HP Lovecraft’s Commonplace Book includes my large digital work based on the lines “Mirage in time—image of long-vanish’d pre-human city”.

Curator Patrick Gyger has now posted two sets of photos of the exhibition on Flickr. My picture can be seen on this page and for Lovecraft art aficionados the 128pp catalogue should be along soon, featuring 90 illustrations and original fiction by Paul Di Filippo, Jeffrey Ford, Lucius Shepard, Norman Spinrad and others.

Elsewhere on { feuilleton }
• The Lovecraft archive

The art of Julie Heffernan

Self Portrait as Booty (2007).

I hadn’t come across Julie Heffernan’s work before until examples turned up a few weeks ago on several different websites in the space of a few days. The picture above—a typical indicator of her current concerns—is featured on the cover of a new edition of Tin House, a collection of fantasy stories by women.

All Heffernan’s paintings are very detailed oil on canvas and no doubt look a lot better at a larger size. A book of these would be most welcome.

Self Portrait in the Bedroom (2003).

• Three picture galleries at PPOW
• An appraisal by David Cohen

Elsewhere on { feuilleton }
• The fantastic art archive

Family Dog postcards

top: William Henry (1967); Victor Moscoso (1967).
bottom: Victor Moscoso (1967); Kelley/Mouse (1967).

Marvellous. Oldhandbills.com has a lot of this stuff, loads of designs I’ve never seen before. Via Arthur.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• The poster art of Marian Zazeela