Fata Morgana: The New Female Fantasists

foerester.jpg

The Chemical Wedding by Madeline Von Foerster (2008).

Art lovers in the NYC area are advised to get down to the Saturday opening of this exhibition at the Dabora Gallery in Greenpoint, Brooklyn, for some great paintings and a free glass of absinthe. Fata Morgana: The New Female Fantasists is curated by Pam Grossman who runs one of my favourite art sites, Phantasmaphile. Further details can be found at the gallery pages which include links to the artists’ websites.

Dabora Gallery and Phantasmaphile’s Pam Grossman are proud to usher in the spring season with the group show “Fata Morgana: The New Female Fantasists,” on view from March 14th through April 12th, 2009. It features fourteen of the most vital and visionary women artists working in the US today.

In literal terms, a fata morgana is a mirage or illusion, a waking reverie, a shimmering of the mind. Named for the enchantress Morgan le Fay, these tricks of perception conjure up a sense of glimpsing into another world, whether it be the expanses of an ethereal terrain, or the twilit depths of the psyche. The artists of “Fata Morgana: The New Female Fantasists” deftly utilize the semiotics of mysticism, fantasy, and the subconscious in their work, thereby guiding the viewer through heretofore uncharted realms – alternately shadowy or luminous, but always inventive.

Yoko Ono recently said, “I think all women are witches, in the sense that a witch is a magical being.” Each artist in this show is a sorceress in her own right. Endowed with fecund imaginations and masterful craftsmanship, their work transforms the viewer: we become spellbound, bearing witness to their attempts to reconcile the desire for a diurnal beauty with the lure of a lush and riotous inner wilderness. The fantastical is counterpoint to the ferocious, the monstrous to the marvelous. Allusions to myth and metamorphosis abound, as these works channel their own heroine spirits and tell their own secret tales. Here, frame is magic threshold, bidding us to take a breath, and cross over.

Elsewhere on { feuilleton }
The fantastic art archive

Butterfly women

The Flapper by Frank X Leyendecker, Life magazine (1922).

When I posted this splendid cover last July I said that I ought to make a post of Butterfly Women, so here is one. Don’t expect this to be at all comprehensive, women with butterfly wings are as legion as mermaids, these are merely a couple of favourites.

moser_fuller.jpg

Loïe Fuller by Koloman Moser (1901).

The ultimate butterfly woman must be Loïe Fuller (1862–1928) whose Serpentine Dance inspired a host of fin de siècle paintings and sculptures and was also filmed by the Lumière brothers in 1896. The Internet Archive has a tinted copy of the latter while Europa Film Treasures has an Italian short from 1907, Farfale (Butterflies) with a troupe of dancers (also hand-tinted) imitating the Fuller style.

life_benda.jpg

Life magazine cover by Wladyslaw Benda (1923).

These two pictures were discovered via the wonderful Golden Age Comic Book Stories who always has the best scans of vintage art. The Life covers are from the humour periodical which expired in 1936, not the later photojournalism magazine. For more Life covers, look here.

vargas_dragonfly.jpg

Dragonfly by Alberto Vargas (1922).

Okay, so it’s called Dragonfly but those look more like butterfly wings to me. A delicate piece of Vargas cheesecake which echoes the flapper theme of the Leyendecker picture. This Flickr user has a whole set of butterfly girl cigarette cards but we don’t get to see them properly without paying. If anyone has seen them elsewhere, please leave a comment.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Mermaids
Wladyslaw Benda
Vintage magazine art II
Vintage magazine art

Franciszek Starowieyski, 1930–2009

starowieyski.jpg

Not only Philip José Farmer but Polish poster artist Franciszek Starowieyski also died this week, something I probably wouldn’t have known had it not been for the indefatigable Jahsonic. I mentioned Starowieyski’s stunning work earlier this month since he produced the poster for Hour-Glass Sanatorium by Wojciech Has. There’s a further link to Bruno Schulz with another of his posters appearing very briefly at the beginning of Street of Crocodiles by the Brothers Quay.

• Starowieyski poster galleries I | II

Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
The Hourglass Sanatorium by Wojciech Has
Czech film posters
The poster art of Richard Amsel
Bollywood posters
Lussuria, Invidia, Superbia
The poster art of Bob Peak
A premonition of Premonition
Perfume: the art of scent
Metropolis posters
Film noir posters