Le Sphinx Mystérieux

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Le Sphinx Mystérieux (1897).

Charles van der Stappen’s most impressive sculptural work and one I missed including in this earlier post. Van der Stappen doesn’t seem to have done anything else like this which is a shame as it’s a very striking fin de siècle image, conveying a sense of enigma without resorting to the usual human/animal hybrids; Sarah Bernhardt would have loved the costume. This picture was swiped from Beautiful Century and Mariana took it from the book with the best reproduction I’ve seen to date, Gabriele Fahr-Becker’s Art Nouveau.

Previously on { feuilleton }
La belle sans nom
The Feminine Sphinx
Le Monstre
Carlos Schwabe’s Fleurs du Mal
Empusa

Peacocks

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The Modern Poster by Will Bradley (1895).

A selection from the NYPL Digital Gallery. There’s more by the great Will Bradley (1868–1962) here.

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Abstract design based on peacock feathers by Maurice Verneuil (1900?).

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Pavo; Lophophorus (1834–1837).

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Rene Beauclair
Elizabetes Iela 10b, Riga
The Maison Lavirotte
Whistler’s Peacock Room
Beardsley’s Salomé

Let’s get physical: Bruce of Los Angeles and Tom of Finland

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Edgar Hayes (Beach) (1957).

Bruce of Los Angeles is a new exhibition of beefcake photos from the Fifties and Sixties at Wessel + O’Connor, NYC, which opens today and runs until December 20, 2008. Bruce’s name is a very familiar one to aficionados of physique photography and I imagine some of these prints will be pretty familiar too. There’s a couple of guys with swords among the selection but as a break from that particular obsession I picked out cutie Edgar Hayes instead.

Born Bruce Bellas in 1909, he was a chemistry professor from Nebraska who would wind up in Los Angeles as the top “Beefcake” photographer of the 1950’s.

He started out there in the 1940’s, shooting bodybuilding contests and met many of his models while working for Joe Weider’s muscle magazine empire, which chronicled the physical culture movement sweeping across America following WWII. Bellas photographed some of the most important figures of this era; bodybuilders Steve Reeves, Ed Fury, and George Eiferman, as well as models such as Joe Dallesandro, Mark Nixon, and Brian Idol.

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Physique Pictorial cover by Tom of Finland (1961).

Meanwhile, and a bit closer to home for me, the Contemporary Urban Centre in Liverpool has been running an exhibition of drawings by Tom of Finland, another very familiar name in the world of gay art and erotica. Twenty-five works are on display there until November 30th.

From Finland with lust | Mark Simpson looks at the artist’s legacy

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Philip Core and George Quaintance

Dallamano’s Dorian Gray

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The 1970 screen adaptation of Dorian Gray by Massimo Dallamano is one film version I’ve yet to see. Given that it’s a production of notorious schlock merchants Samuel Z Arkoff and Harry Alan Towers I wouldn’t expect too much although it does have Helmut Berger as the star when he was at the height of his pulchritude. And I really like this Klimt-esque poster, a typical piece of Seventies design with an illustration that resembles many of the trendier European comic strips of the period. I’ve no idea who the artist was despite there being a scrawled signature. If anyone has a clue, please leave a comment.

Update: The artist is Ted Coconis.

A lengthy review at Cinebeats

Elsewhere on { feuilleton }
The Oscar Wilde archive