Vintage eye candy

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Tommies Bathing by John Singer Sargent (1918).

More discoveries from recent image trawls. There’s been plenty of speculation about the sexuality of John Singer Sargent—see here, for example—and this watercolour depiction of relaxing British soldiers would seem to be another of his works which confirms an enchantment with the male form. Lust aside, it’s a remarkable and typically assured sketch in a difficult medium.

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Hermes by Will H. Low (1885).

Will Low’s Greek god is from an illustrated edition of Keats’ Lamia, a PDF of which can be found at the Internet Archive although the compression setting is so severe that the drawings are pretty much ruined throughout. This is how Microsoft and Google are safeguarding the world’s artistic heritage… The copy above comes via another Flickr set.

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Also at Archive.org, and far better quality, is another book illustrated by Will Low, In Arcady by Hamilton Wright Mabie, a rather insipid parable in a faux-Classical manner which gave the artist an opportunity to fill the pages with piping fauns and naked youths. It wouldn’t be fair to paint Low as another closet Uranian like Sargent solely on account of this handful of drawings; for now he can remain a further victim of our salacious modern sensibilities.

Elsewhere on { feuilleton }
The illustrators archive

And back again

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Well that took a lot longer than it should have done but as I mentioned earlier, the break has enabled me to catch up with some pressing deadlines. Despite the delay the server move seems to have gone better than in the past, and should have the advantage of making this part of the site run a lot more efficiently than it has done when a horde of vistors turn up looking for gay erotica.

I’ve lots of news to post about recent work but for now here’s a picture of Baron Munchhausen on his aquatic horse, a rendering from 1896 by Gottfried Franz (1846–1905) which can be seen at very large size at Wikimedia Commons. Onward!

Fascinating tentacula

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Histioteuthis ruppellii.

Suckered pseudopods flex and writhe again this week with simultaneous postings at BibliOdyssey and Sci-Fi-O-Rama. Coincidence or some cephalopodic zeitgeist thing? You decide. BibliOdyssey has a fine set of natural history plates showing various squid and octopuses while Sci-Fi-O-Rama presents a small collection of illustrations by Barnaby Ward. If it’s boys and tentacles you want (and who doesn’t?), then there’s always the art of NoBeast.

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Untitled drawing by Barnaby Ward.

Ernst Haeckel remains my favourite tentacle illustrator, and the octopus below is one of his examples from Kunstformen der Natur (1899–1904). Somewhere (although Cthulhu knows where) I have a drawing by Hal Foster from one of his Prince Valiant strips showing a sinister octopus in a pit which is almost a match for Haeckel’s, and may even have been based on it. If I ever find it again I’ll post it here. Meanwhile, China Miéville’s Kraken is currently lurking on bookshelves, and let me remind you again that he discusses that novel and other works over at Salon Futura. While we’re on the subject, let’s not forget the Octopulps.

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Octopus by Ernst Haeckel.

Finally, a note to say that my webhost is moving this site to a new server which may cause some disruption to these pages for the next few days. As always, your patience is appreciated.

Previously on { feuilleton }
Jewelled butterflies and cephalopods
Haeckel fractals
Ernst Haeckel, Christmas card artist
The art of Rune Olsen
Octopulps
The art of NoBeast

Two Brides

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Ah, sweet serendipity… What are the odds, dear reader, of two blogospheric friends posting equally splendid pictures of everyone’s favourite hand-stitched and reanimated woman within days of each other? (It helps that Evan P and Monsieur Thombeau share a number of interests but let’s not spoil the moment.) The Gray’s-like dissection above is the work of illustrator Martin Ansin, while the painting below is by Michelle Mia Araujo, or Mia, as she prefers. Both artists have produced a quantity of other work which demands your attention. As for James Whale’s Bride of Frankenstein, it is, of course, one of the great cultural artefacts of the previous century; if you’ve never seen it there’s a Boris Karloff and Elsa Lanchester-shaped hole in your life which needs to be filled without delay.

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Previously on { feuilleton }
The Mask of Fu Manchu
Berni Wrightson’s Frankenstein

Tranquillo Marangoni bookplates

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Occulta (1949).

Two of the many bookplates produced by Italian artist Tranquillo Marangoni (1912–1992). The official site (in Italian) has three pages of ex libris work as well as further pages devoted to his woodcut book illustrations, postage stamp designs and other graphic productions.

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Eros x Agapi (1949).

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Book-plates of To-day
Louis Rhead bookplates
Pratt Libraries Ex Libris Collection
The Evil Orchid Bookplate Contest
David Becket’s bookplates