June 2008 – Page 6 – { feuilleton }

Reynard the Fox

Reineke Fuchs, Einband der Ausgabe des Versepos von Johann Wolfgang von Goethe (1846).

From Wikimedia Commons’ stock of images related to the medieval trickster hero, and another great cover showing the 19th century art of the blocked binding. In a similar vein, don’t miss these marvellous illustrations at BibliOdyssey.

Reineke als Sieger by Wilhelm von Kaulbach (1846).

Elsewhere on { feuilleton }
• The etching and engraving archive
• The book covers archive

Previously on { feuilleton }
• Old book covers
• Decorated Russian book covers
• The Hetzel editions of Jules Verne

Albert Kahn’s Autochromes

“Lying on a raised dais, this woman may have been the concubine of an affluent opium smoker.” (1915)

In 1909 the millionaire French banker and philanthropist Albert Kahn embarked on an ambitious project to create a colour photographic record of, and for, the peoples of the world. As an idealist and an internationalist, Kahn believed that he could use the new Autochrome process, the world’s first user-friendly, true-colour photographic system, to promote cross-cultural peace and understanding. More.

More Albert Kahn Autochromes and similar early views in colour at this Flickr pool.

Update: And there’s The Wonderful World of Albert Kahn, site and book.

The Palais du Trocadéro from the Eiffel Tower (1912).

Previously on { feuilleton }
• The Palais du Trocadéro
• The Dawn of the Autochrome
• German opium smokers, 1900

Old lighthouses

From a collection of old postcards depicting British lighthouses. My own fascination with these structures can be traced directly to these two particular examples. The Lower Light or Beach Lighthouse is positioned a couple of streets away from the nursing home where I was born. Although we never lived in Fleetwood, I grew up a few miles down the coast and we often made trips to this unusual port which 19th century entrepreneurs built from nothing in the 1830s.

The lighthouses were built in the 1840s, intended to function together as a guide to ships approaching the docks through sandbanks. To me they helped augment the town’s curious edge-of-the-world quality. Fleetwood is positioned at the end of a peninsular, surrounded by the Irish Sea on two sides with the estuary of the River Wyre on the third. The trams which travel the length of the coast have to make a loop around a block of buildings when they reach the Pharos lighthouse and head south again. A lighthouse built in the middle of a residential street seemed completely bizarre when I was a child; it still looks strange now, as though it was dropped there then forgotten. Once you’ve reached it there’s nowhere left to go. (Well, unless you take the ferry over the river….) Its modest companion is more naturally situated on the promenade nearby. This Flickr photo shows how it looks today.

Previously on { feuilleton }
• Hungarian water towers

The art of Virginia Frances Sterrett, 1900–1933

“Rosalie saw before her eyes a tree of marvellous beauty” from Old French Fairy Tales.

Continuing the series of occasional posts mining the scanned library books at the Internet Archive, these illustrations are from a 1920 edition of Old French Fairy Tales by Comtesse Sophie de Ségur and a 1921 volume of Tanglewood Tales by Nathaniel Hawthorne. Virginia Frances Sterrett, like Beardsley and Harry Clarke, was another artist whose life was cut short by tuberculosis. She was a remarkably accomplished 19-year-old when she illustrated the Sophie de Ségur book. Her incredible illustrations for The Arabian Nights (1928) can be seen here.