Mad about the boy
| The Ancient Greeks having a gay old time.
Month: November 2007
Les Demi Dieux revisited
Watching the Kenneth Anger DVDs last week (which really are superb, by the way, and should be on the Christmas shopping lists of anyone interested in underground cinema) had me hunting around for more of the kind of period imagery one sees in his Scorpio Rising (1964) and Kustom Kar Kommandos (1965), imagery that’s erotic if seen with the correct eye (a gay one, naturally). The photos produced by Les Demi Dieux, a New York photographer of the Fifties and Sixties, correspond very much to the atmosphere in Anger’s films, not least because of the location, Scorpio Rising being filmed among the biker groups of Coney Island. I linked to a Flickr page showing some of these photos in March and since then this page has surfaced which sheds a bit more light on the still elusive history of these pictures.
• Les Demi Dieux at Big Kugels
Previously on { feuilleton }
• Relighting the Magick Lantern
• Les Demi Dieux
• James Bidgood
• Kenneth Anger on DVD…finally
Visions and the art of Nick Hyde
Cover painting: Holy Grove by Gage Taylor (1975).
Book purchase of the week was this American collection of what we have to call “hippy art” (or “California Visionary Art”, as its creators preferred) published by Pomegranate Publications in 1977. I’d seen this circa 1979 and many of the pictures inside were used by Omni Magazine to decorate the science fiction stories in their early issues. After that it vanished from view completely which leads me to believe that UK distributors Big O didn’t sell as many as they would have liked. The white cover design made me remember it for a long time as being part of the David Larkin series which I discussed in May but it isn’t, although the Larkin books were quite probably the model for the book’s presentation.
Finally acquiring a copy was something of a disappointment since it transpires I remembered the decent painters and forgot the terrible ones who comprise at least half the book. Cliff McReynolds is one of the better artists (Omni thought so too) and by coincidence I posted one of his Visions paintings, Landscape with Grenade, almost a year ago to the day.
BethAnn (1970).
Best of the bunch for me is Nick Hyde whose fantastically detailed works blend the fractal filigree of psychedelic art with the kind of dreamscapes and tableaux one sees in Surrealism. The print reproductions do little justice to his detail and the web degrades his work even further (see Abraxas for a good example). Happily there are posters available.
Elsewhere on { feuilleton }
• The fantastic art archive
New things for November
So then, where were we? There’s a few things to catch up with… First up, a recent design of mine for CD and vinyl has been released this month, Underwater Dancehall by Pinch, an acclaimed dubstep album from Bristol. I was very pleased at the way this came out, not least because of the excellent photos by Liz Eve I was given to use.
Then a couple of gratuitous plugs: Thom sent me a copy of his Arcanta CD, Book of Mirrors, this week. The luscious cover art is by Philip Shadbolt and you can learn more about Arcanta at their MySpace page. And Mr PK (who you should know now from BibliOdyssey) has a book out this month, a paper approximation of his excellent pictorial smorgasbord. PK denies his book is the perfect present for Christmas and discusses his book and blog at 3quarksdaily.
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Okay, we’re back at last. There’s still a few things to sort out due to encoding issues that resulted from the database crossover–there may be stray ???s here and there for a while–but I’ll attend to those as I go along. I’ve never tried moving a database from one server to another before so I’m surprised it went as well as it did.
My apologies again to people who visited during the past week only to find a holding page. The final result of all the grief is that I’m now paying less for more and (I hope) a better service. I haven’t had a chance to fully test things yet but I think the new server is also faster than the older one, so that’s good for everybody.