{ feuilleton }

Avatar

• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Weekend links 85

farmanfarmaian.jpg

Group I (Convertible Series, 2010) by Monir Farmanfarmaian.

The four albums recorded by Bruce Gilbert and Graham Lewis under the name Dome are being reissued by Editions Mego together with Gilbert & Lewis’s Yclept album. I always preferred Gilbert & Lewis in their Dome incarnation (and Colin Newman solo) to the punk and post-punk stylings of their former band, Wire. Dome were (among other things) eccentric, awkward, noisy, hypnotic and experimental. Their recordings seemed to go largely unnoticed in the early 1980s so it’s good to see them being reissued.

A Children’s Treasury of American Cops Brutally Attacking Citizens: “…it takes quite a lot of tax money to keep a bunch of vicious thugs overfed and dressed like junior Darth Vaders with their portable hard-ons, on the off-chance some college kids might one day peacefully sit outside to protest this nation’s revolting descent.”

• “Stevenson, as has been said, was disarmingly candid about the material he borrowed for Treasure Island. One name, however, is missing from the extensive catalogue of self-confessed ‘plagiarisms’.” John Sutherland at the TLS.

• “Messiaen’s advice was revelatory. ‘You have the good fortune of being an architect and having studied special mathematics’, he told Xenakis. ‘Take advantage of these things. Do them in your music.’”

• “They always said punk was an influence. Tracey Emin, Damien Hirst, what a load of old shit that was. It’s Thatcherite art care of Saatchi & Saatchi.” And don’t ask Jamie Reid about the Sex Pistols.

Dennis Cooper is interviewed at Lambda Literary. I was surprised last week to find my recent post about William Burroughs’ The Wild Boys linked on a feature about the novel at Cooper’s blog.

Cosmic Geometry: The art of Monir Farmanfarmaian at The Paris Review. Related: Monir Farmanfarmaian at the Haines Gallery, San Francisco.

• Paleolithic phallic art suggests that many early European men scarred, pierced and tattooed their penises.

FACT mix 301 is a selection of dub tracks, dubstep pieces and Middle Eastern songs compiled by Kahn.

Who left a tree, then a coffin in the library?

The Little Journal of Rejections (1896).

Clive finished another painting.

The Great Salt Desert of Iran.

Keep Drawing.

• Troisième (1980) by Colin Newman | And Then… (1980) by Dome | The Red Tent pts I & II (1980) by Dome) | Jasz (1981) by Dome.

 


 

Posted in {animation}, {architecture}, {art}, {books}, {burroughs}, {collage}, {electronica}, {film}, {gay}, {music}, {painting}, {photography}, {politics}.

Tags: , , , , , , , , , , , , , , , , , , .

 


 


 

3 comments or trackbacks

  1. #1 posted by Thombeau

    gravatar

    Does this mean that Dennis Cooper has been visiting Feuilleton? That would make me like him at least ten percent more.

    I went to a reading of his, for Frisk, many years ago. He was pretty cool.

  2. #2 posted by John

    gravatar

    Heh, I think it’s more likely that he searched around for pieces related to the book then made a list. I feel embarrassed now I haven’t read any of his novels. I know that Callum at Front Free Endpaper likes them, and Paul Schütze keeps insisting I should read some so maybe it’s time to do just that.

  3. #3 posted by PeteF

    gravatar

    A big thank you for ‘Weekend Links’. Always one or two (often more) things that really float my boat and are an interesting read. Cheers!

 


 

tracker

 


 

“feed your head”