More Golems

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Golem by Jiri Barta.

There are always more golems. Among recent reading I’ve been catching up with the works of Michael Chabon, and have just finished The Amazing Adventures of Kavalier & Clay (2000), a novel concerned with several things that obsessed me when I was 13, namely Harry Houdini, conjuring tricks and the Empire State Building. Chabon even acknowledges JC Cannell’s The Secrets of Houdini, a book I re-read many times trying in vain to learn some of Houdini’s card tricks. What didn’t obsess me at that age happens to be the main subject of the novel: superhero comics. Chabon does a good job of communicating the enthusiasm that powered the early days of the American comics industry, however, and I can appreciate the enthusiasm that history generates for him even if I don’t quite share it. Lurking at the back of his story is the mute and symbolic figure of Rabbi Loew’s Golem of Prague, mention of which prompted me to see whether Czech animator Jiri Barta had managed to complete his film of the Golem story, a project which has been stalled since the 1990s. He hasn’t, unfortunately, but there is a trailer which I hadn’t seen before, a sight that makes the prospect even more tantalising. Someone give this man some money to finish his film.

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Emet (2009).

Elsewhere, there’s Emet by Bonsaininja Studio, Milan, a short steampunk take on the Golem creation story. Great use of CGI and digital animation but I’d still prefer to see Barta’s version. Meanwhile, the whole of Paul Wegener’s The Golem: How He Came into the World (1920) is now on YouTube. If you’ve never seen Wegener stomping around medieval Prague with his shopping basket then here’s your chance.

See also:
Golem: The Recipe For Life by Michael Chabon

Previously on { feuilleton }
Hodgson versus Houdini
Das Haus zur letzten Latern
Hugo Steiner-Prag’s Golem
Barta’s Golem

The Hourglass Sanatorium by Wojciech Has

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The original Polish poster by the incredible Franciszek Starowieyski.

The shrinking pool of films still unavailable on DVD contracted by at least one title recently with the surprise appearance in the UK of The Hourglass Sanatorium (Sanatorium pod klepsydra; 1973) from the distinctively-named Mr Bongo Films. I’ve been waiting to see this for at least twenty years so being able to walk into Fopp and buy a copy for a mere £12 strikes me as one of those small but rarely acknowledged miracles of contemporary existence.

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Director Wojciech Has is  better known for his long and weird 1965 adaptation of the equally long and weird Saragossa Manuscript, a rambling semi-fantastical novel by Jan Potocki from around 1805. David Lynch described Saragossa as “Simultaneously horrific, erotic and funny…this is one mother of a film,” and the same description could be applied to The Hourglass Sanatorium, as far as I’m aware the only other excursion Has made into full-on strangeness. If anything, Sanatorium outdoes the earlier film on just about every level. Readers familiar with the writings of Bruno Schulz will already have recognised the title as being a truncated variant of Sanatorium Under the Sign of the Hourglass, the second and final collection of Schulz’s unique and very strange stories.

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