Dugald Stewart Walker revisited

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The Golden Porch (1925).

A post prompted by an email from Deborah Hirsch who wrote to tell me about some original works she’d found by American illustrator Dugald Stewart Walker (1883–1937), scans of which are shown here with her permission. This has made me take another look at Walker’s drawings, many of which I’d overlooked during earlier searches. His body of work runs from the usual fairy-tale illustration to some very fine renderings of tales from Ancient Greece. He was also an excellent peacock illustrator although you’ll have to look elsewhere for those; Golden Age Comic Book Stories has made several postings of his book plates. The drawings shown here are from Snythergen (1923) by Hal Garrott, The Golden Porch (1925) and Orpheus with His Lute (1926), both by WML Hutchinson.

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The Golden Porch (1925).

Every so often an artist’s work sets me wondering about their sexuality, a consideration which agitates some, especially surviving relatives, who find such speculation to be unwarranted or vulgar. The matter is relevant for two reasons: firstly, if an artist turns out to be gay or bisexual (as was the case with Hannes Bok) then certain details in their work become informed by that knowledge. Secondly, there’s still a lot more work to be done in retrieving from history the lives of gay people who have added to our culture in some way. Illustrators receive little attention in this area since illustration has always been the poor cousin to gallery art. I try to be wary of projecting my own concerns onto an artist for whom such attention may be unwarranted, and I’m not saying one can read anything substantial into Walker’s life simply by looking at his pictures. I do, however, have a mental checklist for any gay vs. straight appraisal which includes among its subjects common themes such as Greek myths (especially those concerning Orpheus and Narcissus), a recurrence of nude males, excessively florid décor, etc. Let’s just say that certain aspects of Walker’s work are (as Sherlock Holmes would say) “suggestive”, and the ex libris plate at the end of this post is notable for illustrating Keats’ famous quote about truth and beauty with a peacock and a (nude?) boy. If anyone has any relevant details about Dugald Stewart Walker’s life, as always they’re encouraged to leave a comment.

A Dugald Stewart Walker set at Flickr
Dream Boats and Other Stories (1920) at the Internet Archive

Continue reading “Dugald Stewart Walker revisited”

The art of Dugald Stewart Walker, 1883–1937

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A posting of Dugald Stewart Walker’s work this week at the always excellent Golden Age Comic Book Stories sent me back again to the Internet Archive to see if there might be further examples among their collection of scanned library books. Sure enough there’s not only a copy of the book which GACBS sampled from, Padraic Colum’s The Girl Who Sat By The Ashes, but also other fairy tale collections by Colum, including the one featured here, The Boy Who Knew What the Birds Said (1918). Colum is well-represented in the Internet Archive’s American Library section and many of his titles seem to be at least partly illustrated. A cursory glance at some of the others turned up his retelling of Greek myths illustrated by Willy Pogány.

I’m not as keen on Walker’s work as I am other artists of this period—he has a tendency to give his adult characters gnome-like features—but the line work and compositions are first class. The Boy Who Knew What the Birds Said is especially nice for its many peacock details, some of which are featured below.

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left: Bloom-of-Youth and the Witch of the Elders; right: What the Peacock and the Crow Told Each Other.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Peacocks
Willy Pogány’s Parsifal