Guy Peellaert, 1934–2008

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Diamond Dogs (1974).

Many people know this classic album sleeve even if they don’t recognise the name of the Belgian artist who painted it. Guy Peellaert died this week and this is easily his most famous picture. I remember being very struck by its appearance in the local record shop window which always displayed gatefold album sleeves opened out as above. By then the notorious dog’s genitals would have been removed from the picture to protect the delicate sensibilities of Bowie’s listeners; the copy here is from a later CD reissue.

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Taxi Driver (1976).

Peellaert’s work was very visible in the 1970s, especially his book of rock star portraits, Rock Dreams, a ubiquitous pop culture item along with Roger Dean’s Views and Alan Aldridge’s psychedelic whimsy. I always liked the Bowie cover, it hinted at weirder music than the rather mundane post-Velvets/Mott the Hoople rock which the album contained, but much of the work in Rock Dreams seemed garish and awkward. Far more successful was Peellaert’s painting for Martin Scorsese’s Taxi Driver, undoubtedly commissioned on the strength of his earlier work but superior to nearly everything in his book.

Peellaert’s official site has several galleries of his paintings.

Elsewhere on { feuilleton }
The album covers archive
The illustrators archive

Vintage swordplay #3

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Another vintage find courtesy of The Other Andrew. (Thanks, Andrew!) The tag on this photo revealed the model to be one Steve Wengryn and since I’m not an expert on these beefcake types this was news to me. A swift search also revealed that Steve was a popular model in the 1950s and posed for Bruce of LA, among others, a photographer whose work was mentioned here recently. And sure enough, this isn’t the only picture of Steve with a sword, there’s also this photo of him posing with an épée.

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Elsewhere on { feuilleton }
The men with swords archive

Henri Rivière’s Eiffel Tower

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Des Jardins du Trocadéro l’Automne.

Paris again and a suitably autumnal scene from Thirty-Six Views of the Eiffel Tower (1902) by Henri Rivière (1864–1951). Inspired by the celebrated Thirty-Six Views of Mount Fuji, these do for the City of Light what Hokusai and Hiroshige did for Japan.

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De la rue Beethoven.

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Du Pont d’Austerlitz.

Previously on { feuilleton }
Peter Eudenbach’s Eiffel Ferris wheel
City of Light

Béla Bartók caricatured

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One of my favourite 20th century composers and I’ve always liked this 1934 caricature from the BBC’s Radio Times magazine, reprinted a few years ago during the Proms season. I’ve searched in vain for the identity of the artist in the hope of finding more work in this style; the “R” monogram is undoubtedly a clue. The picture also turns up on a few Bartók websites uncredited. If anyone knows the answer, please leave a comment. Meanwhile this page has some examples of more recent portraits.