Lichtspiel Schwarz-Weiss-Grau, a film by László Moholy-Nagy

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A beguiling short from 1930 made by the Hungarian artist to demonstrate the patterns of light and shade created by his Light-Space Modulator (aka Light Prop for an Electric Stage, 1922–1930), an early kinetic sculpture. The film could have worked well enough as a series of documentary shots but Moholy-Nagy compounds the effects with superimposition, lens fragmentation and even a brief negative sequence. Watch it here.

Previously on { feuilleton }
Ballet Mécanique

English printers’ ornaments

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As a book designer you can never have too many printers’ ornaments, especially if you’re required to mimic period designs. These are from a historical overview, English Printers’ Ornaments (1924) by Henry Robert Plomer. Ideally I’d prefer several volumes gathering hundreds of these things from different periods but such a hoard seems a distant dream. Collections like this, and contemporary ones by Dover et al, usually have to suffice instead.

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The recurrent pose 56

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A pair of literary poses for this increasingly sluggish series. Both these titles are gay-themed to a greater or lesser degree. James Purdy (1914–2009) received much praise from contemporaries while he was alive but, like Angus Wilson, he’s one of those writers’ writers you don’t hear about today. Outsiders were a favourite Purdy theme, and he wrote several novels about gay characters, of which Narrow Rooms is considered something of a classic. I’ve not read it but going by descriptions the use of Flandrin’s painting on this cover from 1980 would seem a little lazy. This later use on the cover of Teleny (another gay classic) at least suits the French theme. (Thanks to Sander for the tip!)

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The second volume hasn’t been published yet but Callum James posted the cover proof on Twitter a few days ago so I hope he doesn’t mind my showing it here. The book is a collection of letters by Frederick Rolfe aka Baron Corvo. I don’t know whether this is one of Rolfe’s own photos but he enjoyed photographing naked youths so even if it isn’t his work it suits the book. Further news about the publication should be announced at Front Free Endpaper.

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The recurrent pose archive

Bookmark: Italo Calvino

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I’ve been re-reading Invisible Cities this week so the discovery of an interview in English with its author was most welcome. Bookmark was a BBC series about writers that ran throughout the 1980s; each programme usually lasted for 50 minutes but this episode from 1985 only devotes 25 minutes to Calvino’s life and work. Considering Calvino’s stature, and the scarcity of English interviews, this seems like a missed opportunity but Calvino says at one point that he dislikes talking even in his own language. The presenter/interviewer (whose name has eluded me) gives a précis of the most celebrated works, and also talks to Calvino’s very adept translator, William Weaver. If you’re familiar with If on a Winter’s Night a Traveller there’s a fascinating moment when Calvino goes through the hand-written manuscript showing the tiny diagrams he used to keep track of the narrative threads. Watch it here.

Update: The presenter/interviewer was Ian Hamilton.

Previously on { feuilleton }
Bookmark: Mervyn Peake
Crossed destinies revisted
Crossed destinies: when the Quays met Calvino
Tressants: the Calvino Hotel

After Beardsley by Ryan Cho

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One of the posts last week concerned a swipe from Harry Clarke by an unknown illustrator. This Beardsley pastiche came to my attention shortly after the Clarke discovery, not a swipe but a deliberate exercise by American illustrator Ryan Cho in adopting the Beardsley style. It took some effort to trace the origin of Cho’s drawing since this is one of many similar works proliferating via Tumblr and Pinterest in which the credit goes to Beardsley himself. Cho’s exercise was one of a series following the styles of different artists and illustrators. In addition to another Beardsley drawing there’s also a couple of less successful attempts to pastiche Harry Clarke; having attempted a Clarke pastiche myself I can testify to the scale of the challenge. More of Ryan Cho’s work may be seen here.

Elsewhere on { feuilleton }
The Aubrey Beardsley archive
The illustrators archive