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Designing Booklife

I created a cover design recently for Jeff VanderMeer‘s new novel, Finch, and shortly after completing that Jeff asked if I could put together some cover ideas for his forthcoming writer’s guide, Booklife, which Tachyon will be publishing later this year. Jeff is known as a fantasy writer but this book was intended to have a general appeal for any would-be or working writer. It also needed to look suitably contemporary and (possibly) reflect the discussion within which concerns the modern writer’s use of computers, the internet and social networks. Lastly, several lines of text needed to be placed on the cover without it looking confused or messy.

I agreed to this whilst busy with several other projects so the initial drafts were rather haphazard. (That’s my excuse, anyway.) The first version (above) came out of an idea to apply a kind of trompe l’oeil effect to the cover with a torn dustjacket and handwritten amendments. The red call-out/roundel highlights an important sub-section of the book. This was knocked up very quickly and, as well as not looking very contemporary, the title doesn’t look enough like gold blocking to be convincing. Jeff requested something more up-to-date.

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Font haiku

Nothing doing here for the past twenty-four hours due to things collapsing at the webhost end. Everything seems stable now (fingers crossed). In future when this happens check my Twitter feed for reports.

So then… The above is the better of my two entries for a Valentine’s day competition on the Extensis blog which required you to create a besotted ode to a typeface. The wonderful Gotham sans serif by Hoefler & Frere-Jones was used by the Obama campaign during the recent Presidential election, as I noted back in November. I didn’t win but they did give me an honourable mention which was a surprise. Some very witty and clever entries but it helps if you’re a type obsessive to appreciate many of the jokes.

Previously on { feuilleton }
• The best font won

New things for February

More new work appeared recently although as usual this was something I completed a while ago. Einstein’s Getaway is a short album by Stranger Son of WB who play a kind of over-amped muscular harangue which you might call Post Rock if that wasn’t a very tired term by now. Mr Simon Reyonolds should give them a listen. Heavily rhythmic and bass-driven, this is as much Post Punk as anything, bringing to mind bands such as This Heat, The Pop Group and (in the vocal department especially) The Fall. I was responsible for the design of this release only, not the avocado suite backdrops, and you can see the rest of the layout here. This is one of the first releases on a new label, White Box, and I’ve already designed the next release in the catalogue.

Meanwhile, those of you addicted to mobile phones may like to know that {feuilleton} is now available via a mobile RSS feed. There’s a permalink at the top of the third column on this page although if you arrived here using a mobile network there’s a new WordPress plugin running which converts the site to a mobile feed automatically. I don’t browse the web with my phone very much since its capabilities are so limited it’s hardly worth bothering but this page does at least load the posts now without breaking. Not all of them work, however, since the images are far too big. WP creates thumbnails for each uploaded image so I imagine there’s some way of tweaking the feed to deliver thumbnails. iPhone users shouldn’t have any problem and the optimiser creates a feed just for them. Those of us who remain iPhone-less can experience a vicarious thrill here.

The Haunted Palace

More Poe-etry and a work of my own this time, one of three pages illustrating Poe’s poem produced for the a Graphics Classics collection in 2004. These aren’t showcased anywhere on this site since I’ve never thought I did a very good job with the commission, it was a poor attempt to imitate Sätty’s collage engraving style but I didn’t give myself enough time to work on it. As it was, whatever I would have done wouldn’t fit too well with the Graphics Classics style which tends to be far more cartoony than anything I do. The book is still in print, however, should you require a copy.

Buccaneers #2

Continuing from yesterday’s post, these nameless characters were sketches for a proposed comic strip that writer Jamie Delano and I were planning in the mid-Nineties. We had a feeling that the long-neglected pirate genre was due for a revival and talked about a revisionist take on buccaneering which would dispense with the Robert Newton antics and steer closer to the brutal reality. Among the touchstones there was On Stranger Tides by Tim Powers, the anarchist pirate community in Cities of the Red Night by William Burroughs and the ferocious scalp-hunters in Cormac McCarthy’s masterpiece, Blood Meridian. There was also talk of throwing some voodoo into the mix, hence the veve tattoos. It wasn’t to be, of course. Little of my work has ever resembled mainstream comics fare and Jamie’s publishers, DC Comics, had already been underwhelmed by the detailed style I was using in the Lovecraft and Lord Horror comics. When I tried presenting them with some trial pages in a more open style I was told that they’d been expecting to see more of my detailed line work…

We had a couple of other characters planned, including a tattooed islander inspired by Queequeg from Moby Dick, but the samples here are the best of the sketches. The shark- or whale-jaw false leg was my own invention and something I’m fairly sure I’ve not seen before. I’ve no idea whether such a thing is workable but it was a nice touch.

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