Man with a Newspaper

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René Magritte with a newspaper.


La Nouvelle Médication Naturelle Traduit de l’Allemand – Vol. 2 (1899) by FE Bilz

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Man with a Newspaper (1928) by René Magritte

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Fuzz Against Junk (1959) by Akbar Del Piombo

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The Oxford Book of Short Poems (1986) edited by PJ Kavanagh and James Michie

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Mensonge (1987) by Malcolm Bradbury

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Alice’s Adventures in Wonderland (2015), illustrated by Anthony Browne

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Fuzz Against Junk & The Hero Maker

The groovy video look

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Under Water/In Air.

This recently-released video for Under Water/In Air by Starfucker (or STRFKR, as they often have to style themselves) is an animated production by Edward Carvalho-Monaghan, an artist whose visuals may be seen to similar effect in an earlier animation for Starfucker’s Armatron. Carvalho-Monaghan’s artwork has appeared on a number of the group’s record sleeves, including the latest album, Parallel Realms, which combines a Surrealist dose of the visual style that I refer to as the groovy look with the kind of impossible architecture popularised by MC Escher. Armatron, meanwhile, features more architecture in what may be borrowings from Giorgio de Chirico.

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Armatron.

I lost interest in music videos years ago, I’d much rather listen to the music than have to experience it as a soundtrack to some director’s attempt to illustrate a song with visual novelty. But animated music videos are easier to take, in part because the pairing of animation with music goes back to the earliest days of the medium. The Starfucker videos have had me wondering how much video or animation might suit the “groovy” definition if you went looking for it. And by this I mean following the limits defined by my earlier post which is predominantly concerned with heavy outlines and flat, bold colours rather than quasi-psychedelic effects. I don’t have the time just now to start searching for other examples but The Beatles’ Yellow Submarine is the Ur-text in this department, and the film’s influence may be found in both Carvalho-Monaghan animations.

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Sing, Sang, Sung.

One other music video that does come to mind is for Sing, Sang, Sung by Air, directed by Mrzyk & Moriceau. The colour palette is desaturated but the rest of the graphics are definitely in the groovy zone, with the video as a whole coming across like a Surrealist take on those endlessly scrolling, mutating computer games. When the black ball reaches its destination you’re tempted to watch it all again.

(Under Water/In Air tip via Scotto Moore’s This Newsletter Cannot Save You.)

Previously on { feuilleton }
The groovy look
Tadanori Yokoo animations

Valentine Hugo’s Contes Bizarres

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Looking around at the weekend for drawings by Valentine Hugo (1887–1968), I was reminded of a defunct bookselling blog which hosts scans of the illustrations that Hugo created in 1933 for Contes Bizarres, a collection of stories by Achim von Arnim (1781–1831). I posted a link to this place in the past but since neglected sites have a tendency to abruptly vanish I thought it worth bumping the illustrations into the future here. Valentine Hugo never seems to receive the same attention as the other well-known women Surrealists despite her evident talent and closer connections to the original Surrealist group than those who came later. Her careful renderings are easy to recognise, often done with pastel or crayon on textured black paper or card. This edition of Contes Bizarres was a collection of translations by Théophile Gautier with an introduction by André Breton which suggests the stories are bizarres enough to be considered Surrealist precursors. Not having read any of them I can’t say much about them but Max Ernst counted von Arnim among his favourites poets. André Breton, meanwhile, favoured German Romanticism enough to make Novalis the Magus of Flames in the Jeu de Marseilles card deck but Achim von Arnim is one such writer who still seems to be more popular in France than he is in the Anglosphere. Valentine Hugo apparently illustrated an edition of Les Chants de Maldoror around the same time as Contes Bizarres. If this is the case I’ve yet to see the illustrations anywhere.

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The illustrators archive
The Surrealism archive

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Max Ernst’s favourites

Ewige Blumenkraft

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It’s that occult symbol again…

And it was suddenly all weird and super-freaky, like Godard shooting a Kafka scene: two dead Russians debating with each other, long after they were dead and buried, out of the mouths of a pair of Chicago Irish radicals. The young frontal-lobe-type anarchists in the city were in their first surrealist revival just then and I had been reading some of their stuff and it clicked.

“You’re both wrong,” I said. “Freedom won’t come through Love, and it won’t come through Force. It will come through the Imagination.” I put in all the capital letters and I was so stoned that they got contact-high and heard them, too. Their mouths dropped open and I felt like William Blake telling Tom Paine where it was really at. A Knight of Magic waving my wand and dispersing the shadows of Maya.

Adding to my suspicion that my footsteps are being dogged just now by the Chicago Surrealist Group, that there is a quote from the second chapter of Robert Shea and Robert Anton Wilson’s Illuminatus! trilogy. The passage occurs in a lengthy reminiscence by hippy-anarchist Simon Moon in which he remembers the continual arguments of his Chicago-anarchist parents. Having mentioned Illuminatus! in a couple of recent posts I decided to read it again, in part to see what might be thrown up by the very long hiatus since my last encounter. I read the novel rather obsessively from the age of 15 to 17—three times in all, I think—then set it aside while I followed Robert Anton Wilson into his other novels and non-fiction books. Simon Moon doesn’t mention the Chicago group by name—and the Rosemonts and their friends were more Marxists than anarchists—but, ya know… RAW enjoyed his coincidences (or synchronicities, or whatever) so I’ll take this as acausally significant. Will there be more? It’s a big novel so I don’t doubt it.

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Eco calls on Cthulhu
Going beyond the zero
23 Skidoo

Phosphor: A Surrealist Luminescence

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In the mail this week, a living Surrealist journal from the Leeds Surrealist Group. I ordered the entire run of Phosphor and received a couple of bonus extras (thanks!). Among the contents, issue 3 has an interview with (and article by) the great Jan Svankmajer, there are various pieces about other Czech Surrealists, also an obituary for Franklin Rosemont in issue 2 with a photo that shows him meeting Bugs Bunny. If the last detail is perplexing, see the previous post.

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The Surrealism archive