The recurrent pose 2

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Solitude (?) by Hans Thoma (no date).

A couple more examples of the Flandrin pose. There are other versions around but most are poor copies of the original. Hans Thoma (1839–1924) was a very conventional German artist whose work occasionally skirts the homoerotic, perhaps unintentionally. I may post some of his prints later. He produced another variation on the Flandrin pose entitled The Prodigal Son with the figure reversed.

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An uncredited and undated photograph from a collection of vintage male nudes on Flickr. That looks like a Union flag so we can guess that photographer and model were British.

Elsewhere on { feuilleton }
The recurrent pose archive

Dead monuments

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Anyone who’s seen a Soviet film from 1947 onwards will recognise the logo of the Mosfilm studio which featured a model of Vera Mukhina’s Worker and Kolkhoz Woman monument. This 24-metre tall steel-plate statue proved surplus to requirements after the collapse of the old order, like so many monuments of that period. English Russia has a series of moody photographs of the structure lying in pieces whilst being dismantled.

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Poor Vera, who died in 1953, must have thought her work would last a very long time; these pictures are a poignant reminder of the ephemeral nature, not only of art, but of whole ideologies. They’re also reminiscent of the deliberately degraded sculptures made by Igor Mitoraj (below) which trade for their effect on exactly this disjunction between delusions of permanence and the ravages of history.

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And on these Flickr pages you can see one of Mitoraj’s influences from a ravaged past, the fragments of the Colossal Statue of Constantine in the Palazzo dei Conservatori, Rome.

Previously on { feuilleton }
The Stalker meme
The art of Igor Mitoraj
Enormous structures II: Tatlin’s Tower
Solaris