The art of Jean-Marie Poumeyrol

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L’abattoir.

From ‘Visionary Art in France’, The Visionary Review, Fall 2004:

Poumeyrol shares with Margotton a fascination for the interior landscape, where dimly illuminated grottos resonate with the remains of past epochs. And yet, his barren and abandoned spaces are often redolent with signs of the artists’ own lost memories.

In his early works, Jean-Marie Poumeyrol was recognized as a master of erotica, combining hallucinogenic and macabre imagery in an unparalleled manner. But, in his maturity, the artist has displayed a marked fascination for landscapes, particularly the enclosed spaces of sewers, industrial waste and disposal plants. Yet, the amazing accuracy and finesse of rendering which enlivened his early works has not left him and, if anything, only increased with age.

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Las Pozas and Edward James

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Edward James by René Magritte, La Reproduction Interdite (1937).

Art collector Edward James (1907–1984) was a characteristically English eccentric, a kind of 20th century equivalent of William Beckford or Horace Walpole, who was captivated by Surrealism in the 1930s and became a lifelong devotee of the movement. Much of his inherited wealth was spent supporting artists such as Salvador Dalí, René Magritte and Lenora Carrington and his homes at Monkton House and Walpole Street in London were transformed into showcases of Surrealist decor; Dalí’s famous sofa modelled on Mae West’s lips was designed with assistance from James.

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The Grammar of Ornament by Owen Jones

Owen Jones’ landmark study of the world’s decorative history was published in 1856. I have a facsimile edition from the 1980s and it’s a beautiful volume even besides its value as a reference work. Now illuminated-books.com has made high-res scans of the pages available for free. They do the same for a number of other books, including other titles by Owen Jones and his contemporaries William Morris and Walter Crane. Crane’s Decorative Illustration is recommended for anyone interested in the history of book design.

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