The art of Michael Dotson

dotson.jpg

Dream House #3 (2009).

Many of Michael Dotson‘s vivid acrylic paintings would make good illustrations for JG Ballard books or for some of his more hallucinatory short stories. Not all of these stylised urban landscapes and empty sports arenas have the requisite latent menace to be truly Ballardian but the anomalous black pyramid in Dream House #3 carries a weight of sinister implication. Pseunami (2005), meanwhile, depicts a vibrantly abstracted catastrophe.

Via Core 77.

Previously on { feuilleton }
Ballard and the painters
AVAF at Mao Mag

Caldwell & Co

caldwell.jpg

A cosmic pendant lamp by New York lighting manufacturer, Caldwell & Co, created for the Rockefeller Center in 1932. The company’s Art Deco-styled designs for that building feature a number of other flying saucer pendants although none as striking as this one. The photo is one of many made available by the Smithsonian Institute on a site which catalogues the company’s history.

Edward F. Caldwell & Co., of New York City, was the premier designer and manufacturer of electric light fixtures and decorative metalwork from the late 19th to the mid-20th centuries. Founded in 1895 by Edward F. Caldwell (1851–1914) and Victor F. von Lossberg (1853–1942), the firm’s legacy of highly crafted creations includes custom made metal gates, lanterns, chandeliers, ceiling and wall fixtures, floor and table lamps, and other decorative objects that can be found today in many metropolitan area churches, public buildings, offices, clubs, and residences.

Previously on { feuilleton }
Hugh Ferriss and the Metropolis of Tomorrow

David Trautimas

trautimas.jpg

The Fishing Complex (2008).

Canadian artist David Trautimas re-purposes household and other objects into fantasy buildings by exaggerating their scale then montaging them into landscapes. This example is from his Habitat Machines series; there’s also an Industrial Parkland series. Many of the former group are pleasantly convincing, and their weathered appearance adds to the impression of having discovered the works of a lost Modernist architect. Some of these are like digital equivalents of paintings by Arnau Alemy.

Via Things Magazine.

Previously on { feuilleton }
The art of Arnau Alemany

The art of Julien Champagne, 1877–1932

champagne1.jpg

An obscure occult artist even among catalogues of obscure occult artists, Julien Champagne (also listed as Jean-Julian) is known principally for his associations with the persistently elusive 20th century alchemist Fulcanelli. Champagne provided a frontispiece (below) for Fulcanelli’s examination of architectural symbolism, Le Mystère des Cathédrales (1926), and is continually rumoured to have been Fulcanelli himself. Whatever the solution to that mystery, the alchemist’s book is rather more visible than the artist’s distinctly Symbolist paintings. There’s a French blog devoted to his life and works here but little else around. I wouldn’t mind seeing a decent online gallery of his pictures at some point.

champagne2.jpg

Previously on { feuilleton }
Digital alchemy
The art of Pamela Colman Smith, 1878–1951
The art of Andrey Avinoff, 1884–1949
The art of Cameron, 1922–1995
Austin Osman Spare