L’Hôtel, Paris

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The London broadsheets have been in a ferment for the past few days over a forthcoming exhibition at the V&A, The Cult of Beauty: The Aesthetic Movement 1860–1900 which opens on April 2nd. The Guardian‘s Jonathan Jones wrote a piece pointing out the French associations of the British Aesthetes in which he mentions the Hôtel d’Alsace at 13 Rue des Beaux-Arts, Paris, the place where Oscar Wilde spent his last few months in 1900 prior to expiring in room no. 16. By coincidence I’d been looking at my own photos of the hotel only the day before so here they are, little more than snapshots but they give an idea of the building at least.

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The hotel is now merely L’Hôtel, and I had a couple of surprises when I went to find the place the last time I was in Paris. The first is that the Rue des Beaux-Arts is some distance away from any main thoroughfares, although this perhaps isn’t so surprising given Wilde’s straitened circumstances. The second was seeing a plaque to Jorge Luis Borges (see below) on the wall opposite the one for Oscar Wilde with its incorrect year of birth. Borges had a lifelong fascination with Wilde, the first piece he had published was a translation into Spanish of The Happy Prince (and The Modern Word has a short essay by Borges about Wilde). I knew that Borges had stayed in the hotel (there’s a famous photo of him standing in the atrium) but didn’t expect his patronage to be commemorated in this way; once again, Paris has a respect for writers that puts many other cities to shame. Wilde is celebrated with two plaques—there’s another beside the door which can be seen here—but what these pictures don’t show is the atrium itself, a small space in the centre of the building which gives the hotel a distinction Wilde might have appreciated even if he would have preferred to spend his final hours in one of the more luxurious establishments.

There are more views of the narrow Rue des Beaux-Arts at Google Maps while the hotel has a website here.

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The Cliff House revisited

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Adolph Sutro’s Cliff House restaurant, San Francisco, has appeared here before but these are some additional photos of the improbable structure from the Library of Congress archives, including a picture of the fire that destroyed the building in 1907. As noted in the earlier post, Blue Öyster Cult aficionados may recognise the house from the cover of the group’s 1988 album, Imaginos.

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Previously on { feuilleton }
Adolph Sutro’s Gingerbread Palace

Deutsche Kunst und Dekoration #15

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Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. This week there’s another jump in the running order, from volume 12 to 15, and it’s impossible to avoid feeling frustrated by this when some of the previous editions have been so good. Volume 15 covers the period from October 1904 to March 1905, and includes work by the Wiener Werkstätte whose rectilinear designs mark the transition from Art Nouveau to what would eventually be called Art Deco. There’s also another feature on the Glasgow Arts and Crafts movement based around Charles Rennie Mackintosh with a look at the designs for Hill House in Helensburgh, Scotland. As usual, anyone wishing to see these samples in greater detail is advised to download the entire volume at the Internet Archive. There’ll be more DK&D next week.

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The peculiar Symbolist paintings of gay artist Sascha Schneider are featured once again, and typically for this artist there’s a profusion of male flesh on display.

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Gothic details

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Gargoyles, Notre Dame de Paris.

These aren’t all as old as they look, the gargoyles are part of Viollet-le-Duc’s 19th century restoration of Notre Dame, but the sepia tone makes them seem complementary. There’s a lot more at the Andrew White Architectural Photographs Collection at Luna Commons.

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Wrought iron torch holder or horse tether from the Strozzi Palace by Benedetto da Maiano.

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Flying buttresses, Reims Cathedral.

Previously on { feuilleton }
Schloss Falkenstein
Pite’s West End folly
Viollet-le-Duc

Deutsche Kunst und Dekoration #12

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Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 12 covers the period from April 1903 to September 1903, and this edition opens with a feature on the French Art Nouveau artist and designer George de Feure. This is followed by more from sculptor Franz Metzner including some of his designs for Germany’s many Bismarck monuments. Earlier volumes of DK&D have featured similar Bismarck designs by other architects but they tend to be as ponderous as you’d expect, the kind of thing which nationalists of the time would have found grand but which to our eyes look either pompous or—at their worst—quasi-fascist. Another feature on artist Paul Bürck finishes the edition. As before, anyone wishing to see these samples in greater detail is advised to download the entire volume at the Internet Archive. There’ll be more DK&D next week.

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