Weekend links 601


The Innocents (1961), one of the great cinematic ghost stories.

• “Out of the many adaptations, Jack Clayton’s [The Innocents] is considered the benchmark. The film celebrated its 60th anniversary this year, having premiered in London on the 24th of November, 1961. Considering the sheer number of competitors to Clayton’s version, it is telling of the film’s qualities that it still stands far and above its many peers. In fact, it is difficult to see James’s story without those stark black-and-white images of the film coming to mind, as well as its stunning central performance by Deborah Kerr. Suffice to say, 60 years on, James’s screen ghosts still haunt.” Adam Scovell on the many adaptations of The Turn of the Screw by Henry James.

• “I wanted to turn sex into art because art makes sense of life.” Jack Fritscher talks to photographer Rick Castro about gay S&M fetishes, Drummer magazine, Robert Mapplethorpe, and his BDSM porn studio, Palm Drive Video.

• “Fela was a very good human resources manager.” Lemi Ghariokwu, creator of over 2,000 album covers, talks to Nathan Evans about his time working for Fela Kuti.

I’ve been approached several times to ‘make an NFT’. So far nothing has convinced me that there is anything worth making in that arena. ‘Worth making’ for me implies bringing something into existence that adds value to the world, not just to a bank account. If I had primarily wanted to make money I would have had a different career as a different kind of person. I probably wouldn’t have chosen to be an artist. NFTs seem to me just a way for artists to get a little piece of the action from global capitalism, our own cute little version of financialisation. How sweet—now artists can become little capitalist assholes as well.

Brian Eno on the fool’s-goldrush du jour

• At Vimeo: The Snail on the Slope, a film of generative processes by Vladimir Todorovic based on the strange science-fiction novel by Arkady and Boris Strugatsky.

• At Dangerous Minds: an exploration of Eight Songs for a Mad King by Peter Maxwell Davies, “one of the most insane pieces of music ever written”.

• “This is how one ought to see, how things really are.” Ido Hartogsohn on Aldous Huxley’s mescaline experiments.

• Always an essential guide: The Wire magazine’s releases of year.

• The end of December brings us Alan Bennett’s diary at the LRB.

• At Dennis Cooper’s: Ryoji Ikeda Day.

Innocenti (1992) by Brian Eno | Innocent Square [excerpt] (2011) by Christian Skjødt Hasselstrøm | First In An Innocent World (2016) by The Pattern Forms

Weekend links 568


Dragon Rising to the Heavens (1897) by Ogata Gekko.

• “Electronic music of the past is often portrayed in a dreamy, magical light—a hazy historical landscape filled with misty, otherworldly sounds. But while the music of a bygone era may seem ineffable, it is not inaccessible.” Geeta Dayal reviews Reminded by the Instruments: David Tudor’s Music by You Nakai.

• Modular Therapy: Mute Records boss Daniel Miller and former snooker champ turned kraut-psych powerhouse Steve Davis discuss their love of modular synthesisers, ill-fated Jools Holland collaborations, commandeering Elton John’s ARP 2600 and more.

• “Some contemporary art is a little bit like an intellectual game…I’m not a big fan of this kind of stuff, because I’m a musician.” Ryoji Ikeda presents: point of no return.

One of the tunnels that Turrell has completed is 854 feet long. When the moon passes overhead, its light streams down the tunnel, refracting through a six-foot-diameter lens and projecting an image of the moon onto an eight-foot-high disk of white marble below. The work is built to align most perfectly during the Major Lunar Standstill every 18.61 years. The next occurrence will be in April 2025. To calculate the alignment, Turrell worked closely with astronomers and astrophysicists. Because the universe is expanding, he must account for imperceptible changes in the geometry of the galaxy. He has designed the tunnel, like other features of the crater, to be most precise in about 2,000 years. Turrell’s friends sometimes joke that’s also when he’ll finish the project.

Wil S. Hylton on an exclusive visit to James Turrell’s astronomical art complex at Roden Crater, Arizona. Related: 147 Orbiting 1 Through 6 for 5, Music for Roden Crater by Paul Schütze (with free download of an excerpt from the 5-hour piece)

• New music: The Black Mill Tapes, Volume 5 by Pye Corner Audio, and Interreferences by Richard Chartier.

• At Spoon & Tamago: Dense pencil drawings of retro-future worlds by Yota Tsukino.

“‘I’m bursting with fiction’: Alan Moore announces five-volume fantasy epic”.

• At Dennis Cooper’s: Lindsay Anderson Day.

Beverly Glenn-Copeland’s favourite music.

Volcano Diving (1989) by David Van Tieghem | Crater Scar (1994) by Main | Eye Of The Volcano (2006) by Stereolab