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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Weekend links 110

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Til Eulenspiegel by Urban Janke. From Twenty Postcards of the Wiener Werkstätte at 50 Watts.

Rorschach Audio by Joe Banks is “essential reading for everyone interested in air-traffic control, anechoic chambers, artificial oxygen carriers, audio art, bell-ringing, cocktail parties, cognitive science, communications interference, compost, the death penalty, Electronic Voice Phenomena, evangelism, evolutionary biology, experimental music, ghosts, the historiography of art, illusions of sound and illusions of language, lip-reading jokes, nuclear blast craters, predictive texting, singing hair, sonic archives, sound design, steam trains, tinnitus, the Turing Test, Victorian blood painting, visual depth and space perception, ultrasonic visual music, ventriloquism, voices and warehouse fires and robberies.”

• “Freud did not understand female sexuality. Klimt did. Klimt’s women please themselves. The realization that women have an independent sexual life was an insight in art.” Eric Kandel discusses his new study The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present.

• Three new books already mentioned here receive further attention: Stan Persky on Christopher Bram’s Eminent Outlaws : The Gay Writers Who Changed America. | Matthew Aquilone on Paul Russell’s The Unreal Life of Sergey Nabokov. | Karin L. Kross on the new translation of the Strugatsky’s Roadside Picnic.

The creative writing moment/movement baffles me and it intrigues me. What does it signify, all this creative longing? And why through language? Specifically fiction, poetry, memoir? [...] The crazy part of it is that we are breeding professional, competent, homogenised writers who will go on to teach writing that is professional, competent and homogenised. The intriguing part of it is whether this movement towards creativity and self-expression is really the start of a kind of Occupy – that it could be dangerous and confrontational, not homogenised at all.

Dangerous? But then they won’t get published and win awards and get film deals and… Jeanette Winterson prepares to teach creative writing at Manchester University.

The Underground New York Public Library is a visual library featuring the Reading-Riders of the NYC subways.

Hob by No Man: “Constructed from soundtrack noises from both version of Quatermass and the Pit.”

Stephen Thrower talks about his soundtrack music for The Erotic Films of Peter De Rome.

John Waters surprises everyone by hitchhiking across the US.

• Sounds & the City: An interview with Julia Holter.

The Dead Dream of the Dirigible.

Meditation (1979) by Edward Artemyev.

 


 

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  1. #1 posted by Nick Hydra

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    Foranyone who liked ‘Hob’, no man will be showing some work on Sunday at this event.
    2 June at 12:00 until 4 June at 21:00

    The Old Tidemill School, 0 Frankham St, Deptford, SE8 4RN

    ***** THIS IS NOT A LOYALIST EVENT – THIS IS A COMMUNITY EVENT CELEBRATING THE PEOPLE, ART AND MUSIC OF OUR COUNTRY – ONE AND ALL WELCOME****

    Newbould Property guardianship & creative living: http://www.newbouldguardians.co.uk

    Over the Diamond Jubilee bank holiday weekend, Newbould Guardian present a free street party at The Old Tidemill School in Deptford. The doors are opening free of charge to all – Special guests are local reggae sound-system – Saxon Studio International . The street party will welcome a wide selection of home-grown as well as far-flung talent: bands, live circus acts, art installations, poetry, comedy & performance.

 


 

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