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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Further tales from the Obscure World

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L’enfant penchée.

We’re at the penultimate post in this week-long tribute to the Cités Obscures series of François Schuiten and Benoît Peeters, and there isn’t enough space left to cover some of the more recent volumes in detail. What follows is a quick skate through three more major works.

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L’enfant penchée.

L’enfant penchée (1996), or The Leaning Child, is an expanded version of a 1995 children’s story by Schuiten and Peeters, Mary la penchée. Mary is the young daughter of wealthy industrialists from Mylos struck down one day by some cosmic calamity which permanently shifts her centre of gravity, causing her to permanently lean at an apparently impossible angle. When she’s bullied at school she runs away and winds up as a circus performer, until a meeting with scientists and astronomers leads to a resolving of her affliction and the repairing of her ruined life. This is a fascinating story for a number of reasons, not least the existence of a parallel narrative taking place in our world which is conveyed using photographs, and which unveils some of the metaphysical aspects of the Obscure World. The story of Mary is also flawlessly drawn, with Schuiten using a black-and-white style modelled on the work of old magazine illustrators like Franklin Booth, and there are further references to Winsor McCay and Jules Verne.

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L’ombre d’un homme.

L’ombre d’un homme (1999) or The Shadow of a Man concerns another ruined life, this time the tale of Albert Chamisso, an insurance agent in the city of Blossfeldtstad whose shadow becomes coloured until it’s more like a reflection than a shadow, leading Chamisso to lose his job and suffer social ostracism. In Blossfeldtstad, Schuiten gives us a city whose buildings—in the “Vegetalistic Style”—are beautiful Art Nouveau skyscrapers based on the famous plant photographs of Karl Blossfeldt. No airships in this metropolis, instead winged flying machines fill the skies.

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La frontière invisible

La frontière invisible (2002, 2004) is a two-book story about a young cartographer who goes to work at the enormous dome of the Centre for Cartography in the Somonites desert. One of the women working there has a birthmark on her body which turns out to match a map of crucial geo-political import. When the centre is invaded by an army, the pair go on the run. This is a less stimulating story than some of the earlier works, with writer and artist giving us another hermetic community of scholars. However, it does gives Schuiten an opportunity to concentrate on landscapes rather than architecture. There are also further unusual modes of transport, including two-person monorail bicycles which the map-makers use to travel around their vast workplace.

One last post about the Obscure World tomorrow.

Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
Brüsel by Schuiten & Peeters
La route d’Armilia by Schuiten & Peeters
La Tour by Schuiten & Peeters
La fièvre d’Urbicande by Schuiten & Peeters
Les Murailles de Samaris by Schuiten & Peeters
The art of François Schuiten
Karl Blossfeldt
Taxandria, or Raoul Servais meets Paul Delvaux

 


 

Posted in {architecture}, {art nouveau}, {art}, {books}, {cities}, {comics}, {design}, {fantasy}, {illustrators}, {science fiction}.

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