Weekend links 818

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The Bookworm (no date) by Arthur Paunzen.

• New Cabaret Voltaire: Nag Nag Nag (Live 2025 Single Edit). Good to hear they’ve reinstated the Patrick Moore dialogue sample, something that’s on the studio version but usually missing from live recordings. The single is a trailer for a forthcoming album based on the group’s recent anniversary tour.

The Mysterious Castle in the Carpathians (1981), a wacky Czech comedy, one of many directed by Oldřich Lipský. With a story by Jules Verne, music by Luboš Fišer, and steampunk props by Jan Švankmajer.

• More new music: Butch’s Guns by Sunn O))); Sidings by Craven Faults; Frequencies In The Fog by Rod Modell.

What strikes me most is the difference between people who’ve learned to construct what I call “containers for attention”—bounded spaces and practices where different modes of engagement become possible—and those who haven’t. The distinction isn’t about intelligence or discipline. It’s about environmental architecture. Some people have learned to watch documentaries with a notebook, listen to podcasts during walks when their minds can wander productively, read physical books in deliberately quiet spaces with phones left behind. They’re not rejecting technology. They’re choreographing it.

What we think is a decline in literacy is a design problem, says librarian Carlo Iacono

• At Colossal: “Striking photos by Peter Li capture the soaring majesty of sacred spaces.”

• At Public Domain Review: The Eight Horses of King Mu, Son of Heaven (ca. 1300).

• At the BFI: Brogan Morris selects 10 great political thrillers.

• At Dennis Cooper’s: Roland Topor’s Brain.

• RIP Robert Duvall and Tom Noonan.

The Book Lovers (1997) by Broadcast | Tiny Golden Books (2000) by Coil | Library Of Solomon Book 2 (2011) by Demdike Stare

Weekend links 754

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The Remains of Minotaur in a Harlequin Costume (1936) by Pablo Picasso. Via.

• At Rarefilmm: Long Live the New Flesh: The Films of David Cronenberg, a TV documentary from 1987 which includes contributions from Martin Scorsese and Stephen King. I wrote about this one years ago but at the time the only available copy was chopped into 10-minute segments.

• Coming soon from Strange Attractor: Delinquent Elementals: A Pagan News Anthology, edited by Phil Hine & Rodney Orpheus.

• At Wormwoodiana: Mark Valentine explores the possible influence of the Sherlock Holmes stories on Arthur Machen’s early fiction.

Perhaps there was a Super-Sargasso Sea in the upper atmosphere into which were carried objects from earth—frogs, fish, leaves—and from which they later rained. Perhaps the universe was a living thing, rains of blood its bleeding. Perhaps in 1903 the earth, in its orbit about the sun, passed through the remains of a world destroyed in an interplanetary dispute, the particles falling as rains of dust and redness. Perhaps humanity was controlled. “I think we’re property”, Fort wrote. Or, perhaps not; so skeptical he could not accept even his own authority, he had given up theorizing. “We have expressions: we don’t call them explanations: we’ve discarded explanations with beliefs.”

Joshua Blu Buhs on how Charles Fort came to write The Book of the Damned

• More Alan Moore: “Magic is not this big, spooky, dark thing that’s full of nightmares,” he tells Séamas O’Reilly at the Irish Times.

High-resolution images of 14,000 woodblock illustrations and letterforms free to use at the Plantin-Moretus Museum, Antwerp.

• New music: Music For Bus Stations by Rod Modell; and Between Soil And Sky by Tarotplane.

• At Dennis Cooper’s: Spotlight on…Denton Welch In Youth is Pleasure (1945).

• At the Quietus: The Strange World of…Irena and Vojtech Havlovi.

Apollo Explorer

Pagan Love Song (1959) by Martin Denny | Pagan Lovesong (Vibeakimbo) (1982) by Virgin Prunes | Pagan Sun Temple (2022) by Hawksmoor