In A Silent Way

In A Silent Way (1969) by Miles Davis

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In A Silent Way (YT)

In a Silent Way was assembled from various takes from a three-hour session on February 18, 1969, at CBS 30th Street Studio’s Studio B in Manhattan. “Shhh / Peaceful” was composed solely by Davis, while the opening and closing section to “In a Silent Way / It’s About That Time” is based on [Joe] Zawinul’s “In a Silent Way”, which he would record in its original form in 1970 for his third solo album, Zawinul (1971). After Zawinul presented the tune to the group, it was rehearsed as it was originally written, but Davis wished for it to sound more rock-oriented and stripped the various chord changes to leave a more basic melody built around a pedal point. [John] McLaughlin had some difficulty playing in the manner Davis wished of him, but found his way after the trumpeter suggested he play the guitar as if he were a novice. Davis believed that Zawinul was never happy with his adaptation of “In a Silent Way”, but felt that the album would have been less successful had its original arrangement been kept. Zawinul had expressed some dislike of Davis’ arrangement, in particular of two chords that he believed that Davis was wrong to remove. Zawinul claimed that he was responsible for the melodic bass line and descending melody of “It’s About That Time” but was not credited; he blamed [Teo] Macero for this, as he “always put things together so that it came out as if Miles had written it.” (more)


Zawinul (1971) by Joe Zawinul

In A Silent Way (YT)


Celebration (1972) by El Chicano

In A Silent Way (YT)


Live At The Montreux Jazz Festival (1972) by Roy Ayers Ubiquity

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In A Silent Way (Should really be titled It’s About That Time since Ayers is playing the second part of the Davis piece) (YT)


Filmore – The Last Days (1972) by Various Artists

In A Silent Way by Santana (YT)


Double Exposure (1975) by Nat Adderley

In A Silent Way (YT)


Concerto Retitled (1976) by Joe Zawinul

In A Silent Way (YT)


Babel (1978) by Max

D’Una Manera Silenciosa (YT)


Continue reading “In A Silent Way”

Weekend links 556

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Captain Edward St. Miquel Tilden Bradshaw and his Crew Come to Grips with Bloodthirsty Foe Pirates by S. Clay Wilson, Zap Comix no. 3, 1968.

• RIP S. Clay Wilson, the wild man of American comics. The scene of mayhem above is typical in being barely coherent at a small size; click for a larger view. Patrick Rosenkranz at The Comics Journal describes Wilson as “the most influential artist of his generation…creating an extensive body of work that will defy authority and offend propriety until the end of days”. When Moebius was writing in the 1980s about the founding of Métal Hurlant he had this to say about the American undergrounds: “They were the first in the world to use comics as a means of communication, to express real emotions. Before, comics were used only to do stories, entertainment. They had some great moments but they were all very conventional. The American Underground showed us in Europe how to express true feelings, how to tell something to the reader through the comics. They blew the minds of the few professionals in Europe who saw them.” Also at TCJ, the S. Clay Wilson Interview. Wilson sent me a postcard once. I wish I knew what the hell I’d done with it.

• Michael Hoenig, synthesist for Agitation Free and (briefly) Tangerine Dream, plays one of the pieces from his debut album of electronic music, Departure From The Northern Wasteland, on a radio show in 1977. Hoenig’s album is long overdue a remastering and re-release.

• “My job, which the BBC has tasked me to do, is to provoke people and ask them, ‘Have you thought about looking at the world this way?'” Adam Curtis talks to Michael J. Brooks about his new TV series, Can’t Get You Out Of My Head.

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{ feuilleton } celebrates its 15th birthday today. Monsieur Chat, the mascot of this place, is happy about that but then Monsieur Chat is happy about most things.

• At Greydogtales: Opening The Book of Carnacki. A call for contributions to a collection of new stories about William Hope Hodgson’s occult detective. I’d be tempted if I didn’t already have more than enough to keep me occupied.

• “I’m being asked to talk about it a great deal at the moment, with the pandemic.” Roger Corman and Jane Asher on filming The Masque of the Red Death.

• New music: Cygnus Sutra by Mike Shannon, “a soundtrack to a fantasy/sci-fi epic not yet written”.

• A trailer for The Witch of King’s Cross, a documentary about occult artist Rosaleen Norton.

• At Dennis Cooper’s: Spotlight on…Hans Bellmer & Paul Eluard The Games of the Doll (1949).

• RIP also this week to Rowena Morrill, fantasy artist, and to Chick Corea.

• “Computers will never write good novels,” says Angus Fletcher.

• DJ Food on Zodiac posters by Funky Features, 1967.

• Mix of the week: Fact Mix 794 by Lutto Lento.

Annie Nightingale’s favourite music.

Zodiac (1984) by Boogie Boys | From The Zodiacal Light (2014) by Earth | Zodiac Black (2017) by Goldfrapp