Monsieur Chat

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Who or what is the mysterious, grinning yellow cat? Wikipedia explains:

M. Chat (also known as Monsieur Chat and Mr Chat) is the name of a graffiti cat that appeared in Paris and other European cities in the months and years following the 9/11 terrorist attacks. The graffiti appeared most frequently on chimneys, but has been sighted in other places such as train platforms as well. It has also made appearances at political rallies. The originator of the street art remains anonymous.

The yellow cartoon cat is characterized by its large Cheshire Cat grin. The cat is most often portrayed in a running pose, but has also been variously depicted waving signal flags, bouncing on a ball, sporting angel wings, and waving in greeting at the entrance to a train station. It is sometimes accompanied by the tagline M. CHAT in small letters.

A shame I didn’t discover this phenomenon before I went to Paris last year, the city is cluttered with reproductions of Théophile Steinlen’s Chat Noir poster so it would have been fun to look for a more subversive animal. I found the wary creature below near the gardening market on the Ile de la Cité.

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French filmmaker Chris Marker is famously a feline aficionado so it’s no surprise that he’s made a documentary entitled The Case of the Grinning Cat (Chats perchés) examining the appearance of M Chat through the twin lenses of his video camera and his political concerns. A French site, Monsieur Chat (et autres…), similarly documents occurrences of the mysterious animal and this is their page about Marker’s film. Finally, there’s a Flickr pool although with fewer photographs than one might hope.

Via City of Sound.

Update: Monsieur Chat’s creator revealed (in French).

Previously on { feuilleton }
Sans Soleil

The art of Yves Doaré

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Ange (1981).

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Le réservoir (1979).

Yves Doaré is well known for his paintings and drawings but better known for his haunting etchings, drypoints and wood engravings. Doaré began exhibiting his art in France in 1966 and since that time his art has been the subject of one man exhibitions at the Gallery Sumers, New York (1975), the Gallery Michele Broutta, Paris (1982), the House of Culture, Orleans (1985), the Gallery Dom Quichotte, Rome (1987), Workshop of Arts, Douarnenez (1993) and the Museum of Contemporary Art, Chamalieres, Belgium (1994). His art is now included in such public collections as the Museum of Annecy, the Museum of Morlaix, the Museum of Fine Arts, San Francisco, and the National Library of Paris.

Many of Doaré’s original etchings and engravings explore the theme he has termed, “a kind of geological memory.” Using as his starting point the actual etching plate or engraving block, Doaré explores the surface’s capacity to reveal its own forms and figures. Much like a sculptor, Doaré thus orchestrates the emergence of the random forms which the surface suggests.

More pictures at the Fitch-Febvrel Gallery, Galleria del Leone and the artist’s own site.

Update: more reproductions at Velly.org.

Elsewhere on { feuilleton }
The etching and engraving archive

Metropolis posters

Fritz Lang’s masterpiece via some of its posters, all from 1927.
This site is a great source of information about the film.

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Designer: Heinz Schulz-Neudamm.
As of 2005, the world’s most expensive film poster, selling for $690,000.

Continue reading “Metropolis posters”

The art of Philippe Mohlitz

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Planche où je me suis perdu (1972).

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31 Decembre (1982).

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Batir (1989).

Recipient of the Grand Prix L.G. Baudry 2000, Philippe Mohlitz is well known to printmakers and collectors for having spectacularly rescued the art of copper engraving from a long period of increasingly stiff and stylized treatment. A true virtuoso of the burin (engraving tool), Mohlitz has restored a freedom of line to the medium not seen for centuries. In his best work he achieves a flow of light, particularly difficult to render in engraving, reminiscent of Dürer’s “St. Jerome in his Study”. The artist’s imagination, moreover, is equal to his technique, with fantastic visions which fascinate in both composition and detail.

Frustratingly small reproductions of what appear to be very detailed engravings here and here. Slightly larger images gathered here.

Update: another gallery of pictures at Velly.org.

Elsewhere on { feuilleton }
The etching and engraving archive