A journal by artist and designer John Coulthart.
Architecture
One of a great quantity of Gothic studies by French architect Eugène Viollet-le-Duc at Wikimedia Commons. Also in the Commons is a large selection of photographs and drawings of the fortified city of Carcassonne which the architect controversially restored.
Paris and Brussels are well-known centres of Art Nouveau architecture, less well-known but equally valuable is the Latvian capital of Riga whose historic centre is now a World Heritage Site. The highly distinctive building at Elizabetes Iela 10b is one of a number of buildings there designed by Mikhail Eisenstein, father of film director Sergei Eisenstein. The giant decorative heads are quite unique, and I also like the peacock and other mascarons. One can’t help but think that this façade—in a street full of equally detailed façades—would have sustained a lot more attention had it been built in a European capital.
Previously on { feuilleton }
• Atelier Elvira
• Louis Bonnier’s exposition dreams
• The Maison Lavirotte
• The House with Chimaeras
Michigan Central Station.
Photos from Yves Marchand & Romain Meffre (above) and Forgotten Detroit (below), the latter being an extensive catalogue of urban dereliction.
The station waiting room.
Update: Environmental Graffiti today has a post speculating which American cities might be the lost cities of the future. Detroit is number three; go here to see which others they choose.
Previously on { feuilleton }
• Ephemeral architecture
• The temples of Angkor
• St Pancras in Spheroview
• Adolph Sutro’s Gingerbread Palace
• Hungarian water towers
Atelier Elvira (1897-98).
Seeing as there’s been a run of Art Nouveau-related posts here it’s worth mentioning a location that’s familiar to students of the Jugendstil but less well-known to the world at large. August Endell’s Atelier Elvira was a Munich studio building whose exterior decoration of a very stylised dragon creature manages to be even more exaggerated than similar work by Antoni Gaudí. Munich was the centre of German arts and crafts and produced much home-grown Art Nouveau but this eruption of bizarre plasterwork in an otherwise mundane street was still surprising. The façade was painted green, as in the tinted photo above, and the dragon painted different colours each year, yellow, red and so on.
The ironwork street entrance.
Needless to say, not everyone looked upon this kind of challenging décor favourably. In 1937 the Nazi Oberbürgermeister complained about the “hideous façade disrupting the character of the rest of the street” and had the dragon design chipped off the wall. Allied bombs did for the rest a few years later so these pictures are all that we have left.
A final visit to the Exposition Universelle of 1900 with this photograph of the Palais Lumineux, a piece of period Chinoiserie built in the Champ de Mars close to the Eiffel Tower. I forget where I found this tinted view but Wikipedia has what appears to be the same photograph coloured so as to resemble a night scene.
Previously on { feuilleton }
• Louis Bonnier’s exposition dreams
• Exposition Universelle, 1900
• The Palais du Trocadéro
• The Evanescent City
• Winsor McCay’s Hippodrome souvenirs