A journal by artist and designer John Coulthart.
The Artists’ Studio (1906). This week’s post is another by Sander Bink about a neglected artist of the Dutch fin de siècle. There’s no need for me to add a great deal to Sander’s appraisal below other than to point out the evident debt that Antoon Van Welie seems to owe to the Pre-Raphaelites for … Continue reading “The art of Antoon van Welie, 1866–1956”
Landscape, Drenthe (1896). Collection Hein Klaver. Sander Bink’s previous guest posts here concerned some of the forgotten artists of the Dutch fin de siècle, in particular the Beardsley-inspired work of René Gockinga. This new post from Sander is more Symbolist-oriented, with a look at the work of another Dutch artist. * * * Simon Moulijn … Continue reading “The art of Simon Moulijn, 1866–1948”
Illustration by Otto Verhagen from Yolanda – Het Boek van Bloei (1931) by Nan Copijn. Would-be Decadents is perhaps a better label, the Decadent ship having set sail across an absinthe-tinted sea by the time these artists were putting pen to paper. Their drawings are another set of scarce images forwarded by Sander Bink who … Continue reading “More from the Decadent Dutch”
Dorian Gray (1924) by Otto Verhagen (1885–1951). If you need an idea of the colossal impact Aubrey Beardsley’s drawing had on the art world of the 1890s consider that the entirety of his career—from his first public exposure in The Studio in 1893 to his very untimely death in 1898—lasted a mere five years. Decades … Continue reading “Further echoes of Aubrey”