A journal by artist and designer John Coulthart.
Technology
Remarkable steam-powered engines by glass artist Bandhu Scott Dunham. The one above is based on 19th century designs. Others are Dunham’s own developments which include contraptions to move glass marbles up and down a series of corkscrew paths. Still pictures don’t do these things justice, best to look at two short QT movies here and here which show the machines in operation.
Previously on { feuilleton }
• Wesley Fleming’s glass insects
• The art of Lucio Bubacco
• The glass menagerie
left: tits t-shirt by Vivienne Westwood and Malcolm McLaren.
right: the Hipp Chronoscope via io9.
A new year brings new blogs which is perhaps just as well seeing as the old year drew a line under some regular reads.
The Look, “Adventures in pop and rock fashion”, began posting a couple of weeks ago, spinning off from Paul Gorman’s book of the same name. Pieces there which immediately catch my eye are a skate through Billy Bowers’ outrageous clothing designs and a nice potted-history of the “tits tee”. I’d not realised before that the history of this latter creation goes back beyond punk to the early Seventies, another example of the evolution from post-psychedelic freakery to punk being a process of gradual elision, not the clean break that lazy commentary often suggests.
Also arriving (and noted everywhere by now) is io9, a new addition to the Gawker network, which looks at sf-related culture. I’ve already had a traffic spike from there after they linked to my Hugh Ferriss post and it’s good to see that Bldg Blog‘s Geoff Manaugh is among their contributors.
Previously on { feuilleton }
• Ave Atque Vale!
Even cigarette lighters aren’t immune from the Japanese desire to robotise the world, one object at a time. These are real gold versions of the Lightan, robot characters from an Eighties anime series, Golden Warrior Gold Lightan, and are currently on display at The Great Robot Exhibition in the National Museum of Nature and Science, Ueno, Tokyo until January 27th, 2008. The always reliable PingMag has a good exhibition report which is fortunate since the official site is Japanese-only.
Among the antique automata in the exhibition there’s this rather splendid clockwork crab. It would have been nice to know something about this but the only information is a Japanese caption. What was it for? Were many of these made or was it unique, like the Bowes Swan?
Previously on { feuilleton }
• The art of Almacan
• The sculpture of Christopher Conte
• The Bowes Swan
A few servings of iTunes jelly.
I’ve spent the past week or so enjoying the delights of Leopard, the 10.5 iteration of Apple’s OS X operating system, but have only just noticed the new Visualizer patterns in the latest version of iTunes. I don’t use the Visualizer much, especially since the introduction of Front Row, Apple’s home media management system, but it’s always nice to know it’s there. The original Visualizer isn’t so far removed from the graphic tricks I used to laboriously program into my old Spectrum computer in the 1980s, simple repeated shapes with coloured lines, albeit a lot faster and with far more detail and animation than a 48k Spectrum could ever manage. The latest Visualizer has been significantly supercharged, however, and the new “Jelly” setting creates some really beautiful (and it should be noted, trippy) patterns, reminiscent of Steven Spielberg’s Close Encounters UFOs or James Cameron’s Abyss inhabitants.
I can’t help but see a direct line of continuity here from Apple’s origin in the head culture of Sixties and Seventies’ California to the present. Writer John Markoff examined some of the connections between psychedelic culture and the nascent computer scene in What the Dormouse Said: How the Sixties Counterculture Shaped the Personal Computer Industry where we find Apple CEO Steve Jobs saying that “taking LSD was one of the two or three most important things he had done in his life.” Given this, the glowing, pulsating mandalas in the new iTunes can be seen as a vestigial remnant of that era, and it seems fitting that those patterns are integrated into a music player; it was upon the Sixties’ music scene, after all, that LSD originally had its greatest cultural impact.
Update: For anyone wanting to play with iTunes Jelly, there’s a couple of undisclosed features (this is for Macs but I imagine they’d be the same in the PC version). Pressing M tells you the name of the pattern currently being displayed, pressing 1 shrinks part of the pattern, 2 zooms it out and 8, 9 and 0 cause different colours to over-saturate. It’s a full-on psychedelic light-show, in other words.
Update 2: If you press M so it shows the pattern name then press the Up or Down arrow, you can flick through the various pattern settings.
• Watch Jelly in action
• Steve Jobs drops acid in Pirates of Silicon Valley
Previously on { feuilleton }
• iTunes 7
