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Planche où je me suis perdu (1972).

31 Decembre (1982).

Batir (1989).

Recipient of the Grand Prix L.G. Baudry 2000, Philippe Mohlitz is well known to printmakers and collectors for having spectacularly rescued the art of copper engraving from a long period of increasingly stiff and stylized treatment. A true virtuoso of the burin (engraving tool), Mohlitz has restored a freedom of line to the medium not seen for centuries. In his best work he achieves a flow of light, particularly difficult to render in engraving, reminiscent of Dürer’s “St. Jerome in his Study”. The artist’s imagination, moreover, is equal to his technique, with fantastic visions which fascinate in both composition and detail.

Frustratingly small reproductions of what appear to be very detailed engravings here and here. Slightly larger images gathered here.

Update: another gallery of pictures at Velly.org.

Elsewhere on { feuilleton }
• The etching and engraving archive

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