Modern Pen Drawings, 1901

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Rustum and the Simoorg (1897) by Patten Wilson.

A new arrival at the Internet Archive. Modern Pen Drawings: European and American is a special number of The Studio magazine, one of several such numbers which they published in book form. The magazine’s editor, Charles Holme, edited the volume which maintains the high quality typical of all these publications, with excellent reproductions and informative notes about the artists and their works. Holme’s choices in collections such as this are always varied, mixing imaginative illustrations with comic drawings and nature studies. For a reader, the books are still useful today for showing you drawings that you might not see anywhere else, even when the artist is a familiar name. When the works themselves are familiar the reproductions are invariably better than you’ll find elsewhere. Such is the case with Patten Wilson’s “Rustum and the Simoorg”, an illustration of a Persian folk tale whose fine lines and details are often spoiled by poor printing. Elsewhere there are two pages of Théophile Steinlen’s inevitable cats, a drawing by Fernand Khnopff that I don’t think I’ve seen before, and Edmund J. Sullivan’s rose-bedecked skeleton which Alton Kelley later “repurposed” (or swiped) for the cover of the Grateful Dead’s second live album.

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Album de la décoration

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Plates from a selection of art nouveau-styled prints for the use of artists and craftsmen. There’s more in this incomplete Flickr set; a little searching turns up further examples but the Flickr ones are the highest quality. The Four Seasons were featured here several years ago in a post about illustrator Patten Wilson. The bat-obsessed Robert de Montesquiou would no doubt have approved of the unusual conjunction of a chauve-souris with the favourite fowl of the fin de siècle.

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Previously on { feuilleton }
The Grammar of Ornament revisited
Dekorative Vorbilder
Combinaisons Ornementales
Charles J Strong’s Book of Designs
Styles of Ornament
The Grammar of Ornament by Owen Jones

John Batten’s Book of Wonder Voyages

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The book illustrations of John Dickson Batten (1860–1932) turn up in collections of Victorian and Edwardian art but his name isn’t as familiar as that of his contemporaries, possibly because he was also pursuing a career as a painter. Prior to finding this volume I’d only seen a couple of his drawings before.

The Book of Wonder Voyages (1919) was one of several collaborations with writer Joseph Jacobs, a retelling of mythic seafaring which includes Jason and the Argonauts but surprisingly omits other well-known examples such as Odysseus and Sinbad. In their stead we have The Voyage of Maelduin, Hasan of Bassorah, and The Journeyings of Thorkill and Eric the Far-Travelled. Batten’s drawings remind me of Patten Wilson, especially in the full pages, although Wilson was the more dedicated stylist. This isn’t necessarily the best of Batten’s work, however. Browse the rest of the book here or download it here. There’ll be more Batten tomorrow.

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The Story of Rustem and Other Persian Hero Tales

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This edition of Elizabeth D. Renninger’s retelling of Persian folk tales dates from 1909, the tales in question being adapted for children from the epic poetry of Hakim Abu’l-Qasim Ferdowsi Tusi, aka Ferdowsi or Firdusi as he’s credited here. Names translated from Persian or Arabic often vary from one book to the next, and that’s the case in this volume with the heroic figure of Rostam (or Rustam) being rendered as Rustem. Likewise in the story of albino warrior Zal, the great bird he encounters, here named the Simurgh, can also be found written as Simorgh, Simurg or Simoorg which often makes searching for information about these stories (or their illustrators) difficult.

The illustrations are by JLS Williams, and it’s a shame there aren’t more of them since I like the bold style and heavy blacks. Williams is listed mostly for his magazine illustration so I can’t say whether he did any other book work. The Story of Rustem may be read online here or downloaded here. Rustem doesn’t meet the Simurgh in this collection but he did in this splendid drawing by Patten Wilson.

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Joseph Noel Paton’s Ancient Mariner

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From Patten Wilson to Joseph Noel Paton (1821–1901), a Scottish artist whose illustrations for Coleridge’s poem I much prefer to his generic paintings. Other artists often skimp on the ship details but Paton’s crowded deck scenes are done with such accuracy they must have been based on a real vessel. The book was published in 1893, and the plates would appear to be engravings given the presence of another monogram besides that of the artist. The Internet Archive scans aren’t as bad as the Patten Wilson but Paton’s meticulous draughtsmanship is best seen in the near-complete set of images posted at Golden Age Comic Book Stories. And for anyone familiar with my comic strip adaptation of Lovecraft’s The Haunter of the Dark, the portrait of Enoch Bowen, founder of the Starry Wisdom cult, was based on Paton’s head of the Ancient Mariner in the scene where the sailors are fastening the albatross around the accursed man’s neck.

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