Made To Measure


When you’ve sated yourself on a group’s back catalogue there’s always the solo albums. In the case of Tuxedomoon there are a number of these to choose from, thanks to several of the band members being both multi-instrumentalists and talented songwriters. Some of the more offbeat solo outings may be found among the albums released as part of the Made To Measure series, an offshoot of the excellent Belgian record label, Crammed Discs. Crammed have been Tuxedomoon’s label for some time, and seem increasingly unique in a world where independent labels tend to cater to narrow genres and small, select audiences. Crammed’s roster of artists is extremely eclectic, ranging from the expected Euro-pop and dance releases to a wide range of traditional and contemporary music from around the world.


Made To Measure Vol. 1 (1984). Painting by Fernand Steven.

From 1984 to 1994 the Made To Measure series released over 30 albums that represent the more esoteric side of an already fairly esoteric label. All of the early releases were numbered, and Tuxedomoon happen to be on the first release, Made To Measure Vol. 1, together with Minimal Compact, Benjamin Lew, and Aksak Maboul. The series title refers to all of the music being “made to measure” some pre-existing work—film, theatre, dance performance, etc—although some of the later releases were simply an excuse to put out new music by an established Crammed artist. In addition to the first release, Tuxedomoon members Blaine L. Reininger, Peter Principle and Steven Brown were regular contributors to subsequent albums. Two of the Steven Brown albums, A Propos D’Un Paysage (MTM 15, 1985) and Douzième Journée: Le Verbe, La Parure, L’Amour (MTM 16, 1988) are marvellous instrumental collaborations with Benjamin Lew that are very different in tone to Tuxedomoon but well worth seeking out. Brown also recorded a soundtrack album, De Doute Et De Grace (MTM 22, 1990), with readings by actress Delphine Seyrig. The series has been discontinued in recent years but the MTM numbering was resurrected for the latest Tuxedomoon album, Pink Narcissus, which is MTM 39.


Desert Equations: Azax Attra (1986). Photography by Georg Gerster.

I’ve still not heard all of the Made To Measure series, and I don’t like everything I have heard—I have to be in the mood for Hector Zazou’s quirkier moments. Aside from those mentioned above, the notable releases for me would include Desert Equations: Azax Attra (MTM 8, 1986) by Sussan Deyhim (here credited as Deihim) & Richard Horowitz, an album that led me to acquire almost everything Sussan Deyhim has recorded; If Windows They Have (MTM 13, 1986) by Daniel Schell & Karo; Nekonotopia Nekonomania (MTM 29, 1990) by Seigen Ono; Water (MTM 31, 1992) by David Cunningham; Sahara Blue (MTM 32, 1993) by Hector Zazou; Glyph (MTM 37, 1995) by Harold Budd & Hector Zazou. Sahara Blue exemplifies in miniature the eclecticism of Crammed Discs, being a tribute to Arthur Rimbaud featuring (among others) John Cale, Ryuichi Sakamoto, Gérard Depardieu, Khaled, David Sylvian, Bill Laswell, Lisa Gerrard, Sussan Deyhim and Tim Simenon.


For those wishing to explore further without shelling out on mysterious, unknown quantities, I’d recommend The Made To Measure Résumé (1987), a compilation of tracks from the first 16 MTM releases, and an ideal introduction to the series.

Previously on { feuilleton }
Subterranean Modern: The Residents, Chrome, MX-80 Sound and Tuxedomoon
Tuxedomoon on La Edad de Oro, 1983
Tuxedomoon designs by Patrick Roques
Pink Narcissus: James Bidgood and Tuxedomoon

The Middle East now


Arthur magazine‘s recent feature on life in the Middle East by Daniel Chamberlin was an excellent mix of travelogue/reportage. Iraq and the ongoing Israeli/Palestinian conflict aside, the region was fairly peaceful last year. How quickly things change. This is from the latest Arthur email bulletin.


Last summer I went traveling with my brother Paul in Egypt, Lebanon and Syria. The result was “Dr. Moustache and The Egyptian Gentleman,” a three-part series in the November 2005 and January 2006 issues of Arthur.

Paul returned to Damascus this summer to refine his Arabic and research his thesis – he’s getting a Ph.D. in diplomatic history at Ohio State University – in Syria’s governmental archives.

The first sign that my brother’s tour of Syrian libraries might not go as planned came on June 25 when Palestinian guerillas linked to the Hamas government kidnapped an Israeli soldier and killed two others. The ensuing conflict with Israel was escalated on July 12 when some Hezbollah guys sneaked from Lebanon into Israel, killing eight soldiers and kidnapping two others, prompting Israel to start dropping bombs all over Lebanon, destroying the country’s infrastructure to the tune of several billion dollars and killing over 200 civilians as of July 18. Hezbollah shot more of their wildly inaccurate rockets back into Israel, killing some 13 civilians.

Paul is living in Damascus though, not Beirut, Haifa or Gaza City. But Khaled Meshal, the exiled leader of Hamas, also lives in Damascus with the permission of the government- he moved there after Israeli Mossad agents tried to assassinate him in Jordan in 1997 by putting poison in his ear. Israel expressed its discontent at this arrangement by having fighter jets buzz Syrian President Bashir Asad’s summer pad in Latakia shortly after things started getting bloody in Gaza.

As for Hezbollah, they do their own thing-whether it’s firing Katyushas into Israeli settlements, selling keychains in the gift shops on the Israeli border that Paul and I visited last summer or serving as members of Lebanon’s parliament – but they receive support from both Syria and Iran. The U.S. and Israeli governments have indicated they hold Syria responsible for the actions of both Hezbollah and Hamas. In an interview with Charlie Rose, the Israeli representative to the United Nations characterized this as not only part of the “War on Terror,” but went so far as to say that it was one of the early chapters of World War III. Tehran and Damascus, it should be mentioned, have agreed to back the other should Israel or the U.S. decide to attack.

Paul and I talk frequently via e-mail, and the following is his daily journal of what life in Damascus has been like lately.

Daniel Chamberlin Los Angeles July 18, 2006


*** Friday 14 July*** Tonight we met a man who fought in the Syrian army in the Golan during the 1973 war. He seemed considerably less concerned about the situation here than us, explaining that the people here could sense when a war was coming, and everything was fine.

***Saturday 15 July*** Things got worse today. I went to the internet cafe this morning to find my inbox full of emails from the United States urging me to evacuate Damascus immediately. My advisor at Ohio State-a historian of U.S.-Israeli relations-is suggesting that it might not be a bad idea to get out of the region as soon as possible while my friend Steve in Beirut recommends that I might consider heading north to Turkey. Apparently he’s heard from a contact in the State Department that the situation could escalate to conflict with Syria in the very near future. Rumor has it that the Israeli fleet is massing off of Tripoli in preparation to begin bombing the northern highways to Syria. Apparently he hasn’t heard anything from the U.S. Embassy in Beirut even though the city has been under Israeli attack for two days. To make matters worse, I find another email from my friend Mariam, also in Beirut, relating her plans to head to Damascus via the same northern roads that the Israelis are planning to attack. I send a cautionary email to her, convinced that it won’t reach her in time to make any difference.

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